Madame Tussauds New York - Standard Ticket Silver

Visits to Hollywood’s most recognizable landmarks:
The Hollywood Sign
TCL Chinese Theatre
Dolby Theater (home of the Academy Awards)
Capitol Records
Paramount Studios
Egyptian Theatre
Pantages Theatre
Hollywood Walk of Fame
You’ll also explore famous points of interest:
Hollywood & Vine
Melrose Avenue
Hollywood Bowl
Finally, you’ll visit historic attractions steeped in Hollywood lore:
The apartment featured in the Richard Gere-Julia Roberts romance, Pretty Woman
Hollywood Forever Cemetery
The former sites of major movie studios from the golden age of Hollywood, including CBS, Twentieth Century Fox, and Warner Brothers
All in all, you’ll enjoy a memorable hour of fun and glamorous celebrity culture as we whisk you through the heart of Hollywood!

The Ocean Dome’s panoramic vistas allow you to marvel at the diverse range of marine life, swimming together in perfect harmony. Witness the knobbly sea stars, pencil sea urchins, sea cucumbers, and more at the Discovery Touch Pool, where you can learn more about these fascinating and peculiar creatures.

Tour Stops: With 38 tour stops across the 7 routes offered, there’s plenty to explore! Passengers can hop-on and hop-off at any of the tour stops during the time-period covered by their chosen ticket. Some of the many notable tour stops include: 1 - Dubai Mall 2 - Etihad Museum 3 - Jumeirah Mosque 4 - La Mer Beach 5 - Mercato Mall 6 - Public Beach Umm Suqeim 7 - Burj Al Arab 8 - Souk Madinat Jumeirah 9 - Dubai Police Academy Museum 10 - Mall of the Emirates ​ Upon arrival, you will receive a map with a full list of the tour stops covered across each route. If you’d prefer, stay on the tour for a full loop: Loops vary between 1hr 30 minutes to 2hr 40 minutes. Additional Information: • Green Route is available to cruise passengers only. • Vouchers must be printed to be exchanged for a City Sightseeing bus ticket in location. • The audio commentary is available in the following languages: English, Spanish, German, French, Italian, Portuguese, Chinese, Japanese, Russian, Hindi, Turkish, Farsi, Arabic • Buses are wheelchair accessible.  

EPIC The Irish Emigration Museum was designed by Event Communications, the multi-award winning designers of Titanic Belfast, EPIC Ireland tells the authentic and epic story of 10 million journeys and the roots of 70 million people. Conal Harvey, Managing Director, EPIC Ireland said: ‘The vision and objective of EPIC Ireland is to be the essential first port of call for visitors to Ireland, the first piece of orientation for any trip. Its purpose is to tell untold epic stories in a unique, highly entertaining and informative way.’ He continued: ‘EPIC Ireland provides the opportunity to celebrate and enhance the connectivity between Ireland and those who left, but benefited from being Irish. It will also enable those with no connection to Ireland or its Diaspora to have the opportunity to understand this story of the Irish people and why emigration looms so large in the Irish consciousness both in the past and today.’ EPIC The Irish Emigration Museum is a self-guided tour and the recommended visit time is 1 hour 30 minutes - 2 hours. AWARDS European Museum of the Year Award 2018  - Shortlisted Children in Museums Award 2017 – Shortlisted - the only Irish museum selected for this prestigious European award. TripAdvisor Travellers Choice Awards – Top 5 Irish Museums PRESS “Thought-provoking…I had never fully appreciated the Irish diaspora until my visit to this high-tech exhibit…an entertaining and educational experience”  -Travel writer Rick Steves. Top 10 Things to Do in Dublin “It’s simply too good of a story to miss”.   National Geographic Traveller “Unmissable” -The Mirror                             

See Oklahoma Rodgers and Hammerstein's first smash hit transformed into a radical new production with tickets at great prices from ShowTickets.com

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.