HMS Caroline

The Queen’s Gallery en el Palacio de Buckingham es una galería permanente dedicada a exposiciones temporales de objetos de la Colección Real, la gran colección de arte que la reina mantiene en fideicomiso para la nación. En octubre de 1875, el Príncipe de Gales inició un recorrido de cuatro meses por el Subcontinente Indio, visitando más de 21 localidades, como Sri Lanka, Pakistán y Nepal que hoy en día forman parte de la India. Esta exposición cuenta la historia del gran tour a través de algunos de los mejores tesoros de la India que el Príncipe de Gales presenció. La entrada incluye Acceso a The Queen's Gallery Tour multimedia gratuito Exposición actual* * Fechas Exposiciones Especiales: 9 de nov. 2018 - 28 abr. 2019: 'Rusia, Realeza y los Romanov' y 'Fotografías de Roger Fenton de la guerra de Crimea, 1855' 24 de may. - 13 de oct. 2019: 'Leonardo da Vinci: Una vida en el dibujo'. Para conmemorar el 500 aniversario de la muerte de Da Vinci, esta exposición incluirá 200 de sus dibujos 15 de nov. 2019 - 4 de may. 2020: 'Jorge IV: Arte y espectáculo' Tenga en cuenta: The Queen's Gallery estará cerrada entre estas exposiciones especiales.   ¿Por qué no combinar sus entradas con una visita al London Eye, The Original Tour  o Palacio de Hampton Court?

Highlights of the new Museum include: Fantastic New Cinema Within the walls of the new Wimbledon Lawn Tennis Museum is a remarkable cinema. The Cinema features a 200° screen that immerses the viewer into the world of The Championships by showing a film about the science of tennis. Filming took place during the 2005 Championships on Centre Court of Russia's Maria Sharapova against Spain's Nuria Llagostera Vives. Graham English Productions used a special panoramic rig that used 5 cameras at the same time, the result of which is a film that can be frozen and rotated around the field of action at any time. Using this technique, the film focuses on 20 different aspects of the match and showed viewers how players' bodies and equipment are affected during the course of a professional tennis match. McEnroe's Ghost Sighted at the New Museum Bringing together an old technique called 'Pepper's Ghost' with new projection and filming technology, the museum is able to create an exciting way to view a scene from Wimbledon's past. In a recreation of the 1980s Gentlemen's Dressing Room, a ghost-like image of John McEnroe appears and takes you through a tour of the normally off-limits area. McEnroe reminisces about his memories about the Dressing Room, including how he first met Jimmy Connors and how he would emotionally prepare himself for matches. The Whites of Wimbledon The fashions of Wimbledon continue to be a point of attention and significance to the story of tennis and the new Museum will house an extensive collection of Wimbledon attire. Everything from outfits worn in the 1880s to Rafeal Nadal's dri-fit 'pirate' trousers are on display. There is also an interactive exhibit where you can feel the weight difference between male and female clothing in 1884. Extraordinary New Technology Interactive touch screen consoles are evenly distributed throughout the Museum hallways. These information access points make up a part of the new and exiting technologies within the Museum. Other features are the 'Get a Grip' rotating wheel of rackets; 'The Reactor' game and an archive of great past Championship matches, all of which can be enjoyed by visitors of any age.

** None of these Pearl Harbor Tours include the USS Arizona Memorial movie/boat tour, please visit recreation.gov for these tickets. Also the National Park Service offers over 1,300 free walk-in tickets each day for the USS Arizona Memorial Tour on a first-come, first-served basis. Be sure to come early for these walk up tickets, the Pearl Harbor Visitor Center is open daily from 7am. Please redeem your 365 ticket voucher at the Pearl Harbor Historic Parks ticket counter, also located in the courtyard of the Pearl Harbor Visitor Center. Check In Policy & Maximizing Your Time Visitors with ticket reservations are required to check in at the National Park Service ticket counter one hour before their tour time. If you check in late, the National Park Service reserves the right to reassign your tour tickets. We highly recommend starting at the Visitors Center’s museum before embarking to the memorial. No Bag Policy For security reasons, no purses, backpacks, fanny packs, diaper bags, large camera cases or luggage is allowed at the Pearl Harbor Visitor Center. Valuables should not be left in your vehicle. Bag storage is available at the entrance for a fee of $3 per bag. We recommend that visitors bring in their wallets, ID, water, cameras and cellphones. Strollers Strollers are allowed in the Pearl Harbor Visitor Center, but not in the theaters or on shuttle boats to the USS Arizona Memorial. While strollers may be parked at the theaters and picked up once visitors return from the Memorial, the National Park Service is not responsible for monitoring strollers or other personal items left behind. Restrooms There are public restroom facilities available at the Visitor Center; visitors are encouraged to use the facilities at the Visitor Center before beginning their Arizona Memorial Program. Food and Beverage Other than clear bottled water, no food or drinks are allowed in the theater, on the shuttle boats, or at the USS Arizona Memorial. Dress Attire Civilian Visitors are reminded that they are visiting a site of tremendous loss of life in service to our country. Sandals are permissible, but bathing suits or profane T-shirts are discouraged. Military Military visitors to the USS Arizona Memorial are within the boundary of Joint Base Pearl Harbor-Hickam, and military regulations relating to military dress are enforced by Navy personnel. Per the Pacific Commander, military visitors in uniform are required to dress in Class B or better in order to gain access to the shuttle boats to the USS Arizona Memorial. Battle dress uniform is not allowed on the USS Arizona Memorial, though it is allowed throughout the Visitor Center and at sites on Ford Island. Military visitors are welcome to wear civilian clothes when they visit.

¿Cómo utilizar la tarjeta de Bruselas?
La Tarjeta de Bruselas es válida durante 24, 48 o 72 horas a partir de cuándo se usa por primera vez en un museo
Debe usar su tarjeta de Bruselas por primera vez dentro de un año de su fecha de compra.
¿Cómo utilizar la tarjeta de Bruselas en el museo?
Durante el tiempo que la tarjeta es válida se puede visitar el mismo museo tantas veces como desee (sin costes adicionales)
Sólo tiene que presentar su Tarjeta de Bruselas en el mostrador de venta y será validado electrónicamente; esta se activará la primera vez que la utilice
La Tarjeta de Bruselas le da acceso libre a todas las colecciones permanentes de los museos. La mayoría de las exposiciones temporales también están incluidos, a excepción de los viejos maestros Museo, el Museo de Ciencias Naturales y el Museo del Cincuentenario, en las que paga el precio de la entrada normal si quiere visitar las exposiciones temporales.
¿Cómo funcionan los descuentos?
Los descuentos para las diversas atracciones, excursiones, tiendas, restaurantes y bares en esta guía son para un solo uso!
Los descuentos son válidos, incluso después de su Tarjeta de Bruselas ha expirado.
Para obtener el descuento, sólo tiene que presentar su tarjeta de Bruselas y entregar el comprobante correspondiente a encontrar en la parte posterior de la guía.
En el enlace encontrará todo lo que incluye la Tarjeta Turística de Bruselas

Edge Zones Edge Zone 1 - 1945 - 1962 The Anglo-American special relationship of the Second World War triggered an evolution of musical trends in Britain.  Big band music became popular through visiting GIs and the revived sounds of Dixieland and New Orleans trad jazz were introduced into the London scene. The do-it-yourself creed of 1950s skiffle encouraged young musicians to pick up cheap guitars and start their own groups. British pop was transformed by the rock'n'roll craze in the mid 1950s. Edge Zone 2 - 1962 - 1966 In the 1960s, British music went global with the irresistible tide of the 'British Invasion'.  The original look and sound of beat groups like The Beatles, R&B bands like The Rolling Stones and female singers like Petula Clark took America by storm and Britain became known as a pop powehouse. Edge Zone 3 - 1966 - 1970 British pop became increasingly involved in cultural exchanges with underground political activity, fashion, art and drugs. Inspired by the 1967 'Summer of Love' in San Francisco, Britain began to stage their own 'love-ins' and 'happenings', with themes of peace and love becoming the inspiration for music in this period. The 12" album toook centre stage and pop evolved into rock as music broke out of the small clubs onto the arena circuit and emerging festival scene.  Edge Zone 4 - 1970 - 1975 In contrast to the tough social and economic crisis of 1970s Britain, the charts began to fill with performers singing of escapism, glamour and excitement.  A darker vision of 1970s Britain soon appeared through albums like the post-apocalyptic Diamond Dogs by David Bowie and progressive rock flourished. The music industry expanded and audiences sought entertainment, making sell-out arena tours the pinnacle for any successful artist.  Edge Zone 5 - 1975 - 1985 This was a period of economic recession in Britain. Pop music reflected this with tougher, more outspoken styles.  Punk dramatised Britain's social divisions, while the grassroots Rock Against Racism movement popularised reggae and brought a return to political involvement.  Edge Zone 6 - 1985 - 1993 The mid-to-late 1980s was a time of accelerated social, economic, technical and political change. Videos, CDs and satellite broadcasting meant that music was more accessible to the masses.  The late 1980s were also a time of regional and musical diversity. Heavy metal was reborn, imported house music reached ecstatic heights with the 'Second Summer of Love' and the 'Madchester' scene was blossoming in the North.  Edge Zone 7 - 1993 - 2004 In the mid-1990s, 'Cool Britannia' swept through all areas of British identity. Britpop revived the traditional pop values of the 60s and 70s.  The period also saw the rise of manufactured boy bands and The Spice Girls unleashed 'Girl Power' on the world. The rise of Youtube and streaming gave audiences new ways to access music. It presented artists with unchartered waters in the form of new channels emerging to promote their music.  Edge Zone 8 - 2004 - Present 2004 saw the launch of X Factor. The manufacturing of pop stars by UK audiences is balanced by the diversity of artists rising to the top of the charts. Rap and R&B stars, indie bands and singer-songwriters take the download chart by storm.  The Future It is impossible to predict the future of British music.  Who will be the next superstar? how will we listen to music in 2025? Whatever the future, one thing we can be sure of is that the intimate relationship between music and the fan will always continue to transcend any technological, cultural or social barriers. No photography is allowed in the the exhibition. 

The Royal Pavilion started as a modest 18th century lodging house. Architect Henry Holland helped George, Prince of Wales, transform his humble seaside retreat into a handsome neo-classical villa – known as the Marine Pavilion. In 1815 George, by now Prince Regent, hired the eminent architect John Nash, to redesign the building in the Indian style. The work was completed in 1823 by which time George had become King. It is this building, an instantly recognisable symbol of Brighton, which we see today. Why visit the Royal Pavilion? We're a former Royal Palace right in the city centre, surrounded by the beautiful Royal Pavilion Gardens. We have audio guides in many languages, a fabulous Tearoom and well stocked gift shop. There's loads to do nearby and we're only a 5 min walk from the beach, so why not make a day of it?