Clearwater Beach and Deep Sea Fishing

Silhouette:Mermaid / Trumpet; Hemline / Train:Floor Length; Closure:Zipper UP; Built-In Bra:No; Embellishment:Embroidery; Fabric:Tulle; Sleeve Length:Short Sleeve; Tips:Colors may vary slightly due to different monitor settings,Hand Wash Only; Boning:No; Style:Empire,Sparkle; Occasion:Prom,Formal Evening; Neckline:Jewel Neck; Sleeve Type:Illusion Sleeve; Brand:Lightinthebox; Front page:Evening Dresses; Listing Date:10/27/2021; Bust:; Hips:; Hollow to Floor:; Waist:; SizeChart1_ID:20:175116

Currumbin Wildlife Hospital Sanctuary guests can have a bird’s eye view of the vets working, and can experience the depth that Currumbin Wildlife Sanctuary has for the care and welfare of the Australian native animal population. See xrays, ultrasounds and endoscopes streamed live on a flat screen for guests to observe during the procedure. Even watch from a surgeons eye view by a camera mounted on the surgical light!  Free Flight Bird Show National Trust Currumbin Wildlife Sanctuary presents the Free Flight Bird Show! Meet some of Australia’s most beautiful species of birds from the largest bird in flight, the Australian pelican, to the colourful parrots, birds of prey, endangered species and the majestic wedge-tailed eagle. Marvel at the beauty of these incredible creatures as they free-fly across the audience in a wonderful display set against the Sanctuary’s natural environment. Make sure you hang around to have your photo taken with a bird of prey at the end of the show! Crocodile Live Show Currumbin Wildlife Sanctuary is excited to have Boss Hog as a new member of the team. At almost five meters in length this massive salt water crocodile is an incredible sight to see. Come and learn about Boss Hog and his girlfriend Lilly as well as see the fresh water crocodiles. 

Belfast Harbour's origins date back to 1613 when a Royal Charter for the incorporation of Belfast specified the need for a wharf at the confluence of the rivers Lagan and Farset in what is modern-day Belfast’s High Street. By the early 18th century Belfast had replaced Carrickfergus as the most important port in Ulster. In the 19th century work commenced to improve navigation and this created the Victoria Channel. The Harbour now has the longest deepwater quay in Ireland at 1 kilometre in length with a draught of 10.2 metres. Belfast shipbuilding was at the heart of the local industry building ships for the White Star Line, including Titanic. Today SS Nomadic, Titanic’s little sister, is the only surviving White Star Line Ship.SS Nomadic was built on slipway Number 1 at Harland and Wolff and was launched on 25th April 1911. Nomadic has been restored to her original 1911 glory and is back home in Belfast. During World War II the Port of Belfast was used by the Royal Navy as the home base for many of the ships that escorted Atlantic and Russian convoys including Captain-class frigates of the 3rd Escort Group. .

We are excited to announce a new drop ride and show – Escape Alcatraz – has arrived at the San Francisco Dungeon ! The new ride creates a thrilling finale to the sixty-minute Dungeon experience, complete with fresh sets, script, characters, and costumes, culminates in a heart-pounding drop ride simulating a jump from the infamous island prison into the frigid and choppy waters of the San Francisco Bay.  Escape Alcatraz is now included in all tickets. The Dungeons is the first for Merlin in the USA and Madame Tussauds is the fifth addition to the USA and a cornerstone on Merlin Entertainments roll out of new sites across the USA, Asia, Europe and Australasia. The San Francisco Dungeons is an experience that will inform and entertain, is scary but fun, that sees the funny side of horror and is grippingly captivating. Humour sets Dungeons apart with this actor-led live shows as it trawls through history and brings every visitor face-to-face with the chilling truth our past.  Madame Tussauds is the ultimate celebrity fun day out, where else can you get up close and personal with A-List celebrities, sporting legends, political heavyweights and historical icons and relive the lives, events and moments that made the world talk about them. HALLOWEEN AT THE SAN FRANCISCO DUNGEON 2015 SCARE DATES ANNOUNCED OCTOBER 1ST – OCTOBER 31ST, 2015! Miss Piggott is returning to The Home of Halloween, The San Francisco Dungeon!   Join Miss Piggott as you experience 200 years of history through 9 live actor shows.   October heralds the return of Miss Piggott, a saloon owner who may or may not run a little shanghaiing business on the side. She's been away looking for some new girls for her saloon, but she's been hearing some news about this Jack fellow who's moving in on her turf and might be threatening her girls.    She'll be scoping out the situation, so she might pop up for a night at a bar or two in the city, working the crowds and listening in for some of the latest gossip. She's planning to be back in the Dungeon by Halloween, right in time to chase Jack away, and ply her new customers with some more tricks and treats.    The San Francisco Dungeon is the first attraction of its kind in North America and brings to life the stories of the old Bay Area with a full theatrical cast, special effects, gripping storytelling, and 360-degree sets.    The San Francisco Dungeon is the ultimate live action journey through the Bay Area’s murky past where the audience is part of the show. ** No child or children under the age of 13 will be admitted to The San Francisco Dungeon unless accompanied and supervised by a paying adult aged 18 years or over. 

Types of Experiences There are a wide variety of experiences for all types of people. Some will enjoy shooting droids in space and fighting off zombies to racing on a track, while others will enjoy flying on a paraglider or climbing a mountain. Others still will enjoy watching short films or painting in the green room. Some experiences require full body motion while others are seated activities.  Queues Each participant gets approximately 5-10 minutes at each experience. Most experiences have a tablet that keeps track of the queue for that experience. Participants can only wait in one queue at a time. However, there are some experiences that have no queue and can be done at any time, even while waiting in a queue for something else. Participants who checked in a with their own phone number will receive a text message when it is their turn in line Checking in At the gate, each participant will sign up using their real name, a screen name, an email, a phone number, and other pieces of information. While not required, if a participant signs up with their own phone number, they will receive a notification when they are at the the front of the queue for their attraction. After this process, participants will be given a wristband that will be used to check into the queue at any VR experience and are free to explore the entire space. Food and Drink There are offering a wide selection of non-alcoholic drinks, beer, wine and liquor. Our house cocktails will not disappoint. Try the VRWorldian, Simon’s Escape, Caipirinha Assassin or Salty Borzoi to name just a few. No food at this time. There is no food inside the building, but guests are able to leave and re-enter the building during the time of their ticket. 

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.