Warwick Castle Little Warrior Pass

Be amazed and enchanted by the lights of Vancouver on this memorable tour. Highlights: Stanley Park: Bright Nights Display
Canuck Place: Lighting of the House
English Bay: Christmas Tree Display
VanDusen Botanical Garden: Fesitval of Lights
St. Paul's Hospital: Lights of Hope Tour Notes: Outdoor attire is suggested: comfortable walking shoes, mittens, hat, wind resistant jacket and umbrella Don't forget your camera! Consuming alcohol on the Trolley is prohibited This tour has a special cancellation after 3pm the day prior to departure is 100% non-refundable

For Tours:
Please plan to arrive 15 minutes prior to your tour time. Please bring your receipt or confirmation number.
Participants arriving after the tour departure time risk forfeiture of their tour seats.
Bike and Roll reserves the right to cancel any tour for weather or other reasons. 
If the weather is questionable, please call one hour prior to the start time to confirm the tour status.

Facilities and Access Entrance and parking: The castle is reached on foot along a causeway from West Park slipway in St Helier. Visitors can either walk at low tide or catch the pirate-themed Castle Ferry (small charge applies) at high or low tide. Public parking is available in Patriotic Street, the Waterfront or in parking bays off Victoria Avenue. Buses and cycle routes: All bus routes terminate at Liberation Station which is a short walk away. Jersey cycle route 1 Refreshments: A coffee shop is on the premises – members receive 10% with their voucher (found in your voucher pack) Gift Shop: Jersey Heritage gift shops, selling gifts, souvenirs, books and toys are located at Elizabeth Castle and in the Castle Ferry kiosk. Access arrangements: Unfortunately the site is not suitable for people with mobility impairment Dogs: No dogs allowed, except guide dogs Hearing loop available at reception and a portable hearing loop is available for groups if requested in advance

Pablo Picasso, Joan Miró, Antoni Tàpies, Romanesque, Gothic, Renaissance, modern and contemporary art. Painting, sculpture, silver and goldsmithing, photography, drawings, prints, posters, coins, exhibitions and audiovisuals. Enjoy six Barcelona museums with a single ticket: the Articket. The Museu Picasso brings you permanent and temporary exhibitions featuring works by Picasso, focusing on his formative years and relationship with Barcelona. The Fundació Joan Miró houses the finest and most comprehensive collection of Miró's works and also stages exhibitions of paintings and sculpture. The Fundació Antoni Tàpies is housed in a modernista building and hosts a wide range of exhibitions, lectures and cultural events. The Museu Nacional d'Art de Catalunya takes you on a journey through 1,000 years of Catalan art (modernisme, Romanesque...). And the Museu de Art Contemporani de Barcelona (MACBA), designed by Richard Meier, brings together an important collection of art from the last 50 years.

St Paul’s Cathedral, whose dome dominates London’s skyline, is England’s architectural masterpiece and place of national celebration. The cathedral was designed by the famed architect Sir Christopher Wren, after the Great Fire of London in 1666 destroyed its predecessor. The cathedral took 35 years to build from 1675 – 1710, spanning the lives of five monarchs and was the first cathedral to have been built and completed in its architect’s lifetime. St Paul’s Cathedral is where people and events of overwhelming national significance have been celebrated, mourned or commemorated. From state funerals for British heroes such as Sir Winston Churchill, to the Royal Wedding of Prince Charles to Lady Diana Spencer, and National Services of Thanksgiving to celebrate the Silver, Golden and Diamond Jubilee’s of Her Majesty the Queen. Touch-screen multimedia guides in nine languages are included for sightseers, offering up to 90 minutes of audio commentary, videos and imagery for a self guided tour. Tours led by cathedral guides are also offered, usually starting at 10.00, 11.00, 13.00 & 14.00 and last for 90 minutes; visitors should register to join a tour once inside the cathedral. Explore the cathedral floor then visit the Whispering Gallery to test the unique acoustics. Climb further to the Stone and Golden Galleries, which afford breathtaking panoramic views across the city. Descend to the crypt which houses tombs and memorials to famous Britons such as Admiral Lord Nelson, The Duke of Wellington and Wren himself.   

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.