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Windsor Castle, the largest and oldest occupied castle in the world, is one of the official residences of Her Majesty The Queen. The Castle's dramatic site encapsulates 900 years of British history. It covers an area of 26 acres and contains, as well as a royal palace, a magnificent chapel and the homes and workplaces of a large number of people. What there is to see: The magnificent State Apartments are furnished with some of the finest works of art from the Royal Collection, including paintings by Rembrandt, Rubens, Canaletto, Gainsborough and the famous triple portrait of Charles I by Sir Anthony van Dyck. In 1992 fire destroyed or damaged more than 100 rooms at the Castle. By good fortune the rooms worst affected were empty at the time, and as a result, few of the Castle's artistic treasures were destroyed. The highly acclaimed restoration work, completed in 1997, is a testament to the extraordinary skills of some of the finest craftsmen in Europe. From October to March visitors can also enjoy George IV's private apartments (the Semi-State Rooms), among the most richly decorated interiors in the Castle. St George's Chapel is one of the finest examples of Gothic architecture in England. It is the spiritual home of the Order of the Garter, the senior order of British Chivalry established in 1348 by Edward III. Within the chapel are the tombs of ten sovereigns, including Henry VIII and his third wife Jane Seymour, and Charles I. Among the highlights of a visit to Windsor is Queen Mary's Dolls' House, the most famous dolls' house in the world. The Drawings Gallery shows changing exhibitions of material from the Royal Library at Windsor Castle. The special display below is shown alongside a selection of treasures from the Royal Library.
One Pulse Memorial Located on the site of the Pulse nightclub, the Pulse Interim Memorial is a contemplative structure that serenely surrounds and pays homage to the original building as it still stands and to the outpouring of love from the world that followed the tragedy that occurred there. The downtown Orlando site has become a gathering place for visitors who wish to pay respect to the victims and survivors of the largest hate crime against a targeted group in the United States and reflect on the unity that was shown on a global scale in response. The temporary Interim Memorial structure will eventually be replaced with a permanent memorial. Winter Park Farmers Market The Winter Park Farmers' Market is held at the old train depot, a location that has been rested into a historical landmark. Lake Eola Farmers Market The Orlando Farmers' Market is much more than just your traditional market. Bringing in the best in fresh produce, baked goods, crafts, gifts, jewelry, plants, and more. Food, shopping, and fun for all ages make it the perfect family afternoon with live music and entertainment.
Historic setting: The Household Cavalry Museum sits within Horse Guards in Whitehall, central London, one of the city’s most historic buildings. Dating from 1750, it is still the headquarters of the Household Division, in which the Household Cavalry has performed the Queen’s Life Guard in a daily ceremony that has remained broadly unchanged for over 350 years. The Household Cavalry: The Household Cavalry was formed in 1661 under the direct order of King Charles II and now consists of the two senior regiments of the British Army – The Life Guards and the Blues and Royals. We have two roles: as a mounted regiment (on horseback), we guard Her Majesty The Queen on ceremonial occasions in London and across the UK and are a key part of the Royal pageantry; as an operational regiment we serve around the world in armoured fighting vehicles. We currently have units deployed on active service in Iraq and Afghanistan. Our fighting capacity is matched by our strategic role in international peace keeping and humanitarian operations. Collections: Over the centuries we have amassed an outstanding collection of rare and unique treasures from ceremonial uniforms, royal standards and gallantry awards to musical instruments, horse furniture and silverware by Fabergé. Each exhibit has its own compelling story to tell and many are on display for the very first time. You can see two silver kettledrums given to the regiment in 1831 by William IV; the pistol ball that wounded Sir Robert Hill at Waterloo and the cork leg which belonged to the first Marquess of Anglesy, who, as the Earl of Uxbridge, lost his real one at Waterloo. Modern additions to the collection include Jacky Charlton’s football cap – he did his national service with the regiment and Sefton’s bridle – the horse that was injured in the 1982 Hyde Park bombings. Much of the collection has resulted from the close association that has existed between the Household Cavalry and Royalty. We have, after all, protected successive kings and queens from rebels, rioters and assassins for nearly 350 years. Working Stable Block: Visitors can gain a unique behind-the-scenes look at our working stable block. All the horses here are on duty and at different times of the day you will see something going on - you might see the horses being brought in, groomed, fed and watered, their hooves oiled and shoes checked, their saddles adjusted ready to go on guard or just see the stables themselves being cleaned. Both our horses and riders go through a rigorous and demanding training. In the Museum's many interactive and multimedia presentations, you will hear first hand accounts of what this training is like and the techniques our soldiers use to master their horses and complete the gruelling preparations for regimental inspections.
The Go Orlando® Card is the best choice for maximum savings and flexibility. Save up to 55% off retail prices on admission to over 27 top attractions and activities including LEGOLAND Florida Resort, Kennedy Space Center, Coca-Cola Orlando Eye, alligator and swamp tours, dinner shows, Everglades tours, and more for one low price. Enjoy the flexibility to choose attractions as you go and do as much as you want each day. Save Money! Pay one low price and save up to 55% off combined admission prices. Delivered via E-mail - Printable and Smartphone Versions Nothing to Redeem! Go right to first attraction you want to visit and start using your Go Los Angeles Card Save Time & Hassle - Pay nothing at the gate and skip the line at select attractions. Flexibility Create your own itinerary from over 30 attraction choices. Freedom No limitations. Do as much as you want each day. Insider Info Free guidebook and map. Click here for a complete list of current attractions included with the Go Orlando® Card Frequently Asked Questions What do you mean by "calendar days over 2 weeks"? "Calendar days" are days on a calendar, not 24-hour periods. For example, if you activate a 3-Day Go Orlando Card on a Monday evening, it is valid for the remainder of Monday (1st calendar day) and any 2 additional calendar days within two weeks of activation.Tip: to get the most out of your pass, plan to visit attractions early in the day. Is this just a discount card? Will I still need to buy tickets? No. Passes include admission to each attraction; no need to pay anything at the gate. Some attractions may offer upgrades or special exhibits for an additional fee. Do I need to choose my attractions in advance? Nope, you can choose from the included attractions as you go. What is the age cut off for child cards? Child cards are for children ages 3-12. Most attractions do not charge for children under 3 years old. However, there are some exceptions (especially children's museums and attractions geared toward very young travelers). If you have a child under 3 years old, please check with the attraction directly in advance. You may be charged at the gate. How will I get my pass? When your order is complete you will receive an email with printable and Smartphone version of your Go Orlando® Card. There is nothing to Redeem, you can go right to first attraction you want to visit and start using your card immediately. How do I "activate" my card? Simply visit your first attraction! Is my card valid all day? Yes. You can enter attractions any time with the Go Orlando Card. How many days should I buy? Most travelers visit between 2 and 3 attractions each day depending on individual preference. Our most popular card is the 3-Day card. Does a Go Orlando Card expire? Yes. You have one year from the date of purchase to begin using your pass. After one year, it will expire. How much will I save? Compare the price of the pass to the gate prices of the attractions you want to visit to see how much you can save. We give you the flexibility to create your own itinerary and choose the attractions you want to visit depending on your interests. How many attractions can I visit in one day? On a Go Orlando Card, you can visit as many attractions as you want in a day. Can I visit an attraction more than once? In most cases, you can visit each attraction once per day. Some attractions are valid only once during the life of the pass. Please reference your guidebook for specific information on each attraction. Do I need to make reservations to visit the attractions? Attractions that require a reservation will display a symbol on the guidebook page. Some attractions require a credit card to hold a reservation. In these cases, your credit card will not be charged unless you do not show up for your reservation. What’s the catch? There’s no catch. Go Orlando Card has a partnership with all of the participating attractions to make your visit to Orlando as memorable as possible and to help you save time and money. Can I share my pass with a friend or sell it? No. The Go Orlando Card is non-transferrable and may not be re-sold. What happens if an attraction is closed or a tour is cancelled due to weather or other problem? While we do our best to ensure that all attractions are available, events happen that are out of our control. The great thing about a Go Orlando Card is that there are so many attractions to choose from. If an attraction is closed, or cannot be visited for some reason, we know you'll find a fun alternative in your guidebook!
We leave the central office of Cityrama on the Rue de Rivoli and drive via the Place de la Concorde, Champs Elysées as far as the Arc de Triomphe. You then drive towards the 16th district, known as one of the most prestigious areas in Paris. The first stop is at the quai de la Bourdonnais and you board your Bateaux Parisiens boat for a cruise with audio-commentary available in 12 languages along the River Seine. (Duration : 1 hour). On leaving the cruise you catch the famous Eiffel Tower lift as far as the 2nd floor. The tour ends at the Eiffel Tower. Included Highlights: Guided tour of Paris in a luxury panoramic air-conditioned coach 1 hour Bateaux Parisiens Cruise on the Seine, with commentary in 12 languages Visit the 2nd floor of the Eiffel Tower for a breathtaking panoramic view Service of a multilingual guide Tour Departs: In winter 09:00, 12:00, 14:45 - In summer 09.00 / 10.00 / 12.00 / 13:00 / 15.00 Duration: 4 Hours approx. Tour Departs: In winter 10:00, 12:00, 15:00 - In summer 09.00 / 10.00 / 12.00 / 13:00 / 15.00 Duration: 4 Hours approx. Important Operation Information : In 2018, Eiffel Tower will renovate its lifts. The renovation will last at least 12 months and implies that one lift will be out of service during this period. We will keep you informed of any further notice.
The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.