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London Eye - Standard Experience Please remember that the boarding procedure for the London Eye takes around 30 minutes Our price is the same as you would pay buying on the London Eye website or telephone booking lines and there are no constraints on last minute bookings. For a different perspective visit at sunset and see the city lights come on and the skyline awash with vibrant colours. Unaccompanied children are not permitted to board the London Eye. Any booking made for an unaccompanied child will be taken as confirmation that the child will be joining a party under the supervision of an adult aged 18 years or older. 365 Tickets will not be held responsible if a child is turned away at the London Eye, nor will the ticket be refundable! Safety and security is our number one priority. For your safety and convenience, please read the following information on what items can and can not be taken on to the London Eye. Please be aware that all guests are subject to a security search when boarding the London Eye. Please note that the following items CAN be taken on board the London Eye: • briefcases • laptops • small day size rucksacks and bags (maximum size 18" x 13" x 8" or 46cm x 33cm x 20cm) • baby bags The following items CANNOT be taken on board the London Eye; • large bags/suitcases or rucksacks • motorcycle helmets • skateboards and rollerblades • tripods (unless agreed in advance with the London Eye) • baby buggies* • prohibited items** If you are unsure . * Baby buggies can be left at our 'Buggy' area facility in the ticket hall, although only for the duration of the experience. ** Prohibited items include sharp objects or anything which may be considered a security risk including penknives, scissors, metal nail files, toy or replica guns. If such objects are found or declared they will be checked in and returned to you after your experience providing the item is legal in the UK. Terms and Conditions 1. Confiscated objects are left entirely at the owner's risk at all times. 2. London Eye Company (LEC) accepts no responsibility for the loss of or damage to any objects left with LEC. 3. LEC is entitled to refuse to store any visitor's objects at its sole discretion whether for public safety reasons or any other reason.
In Barcelona you can see the best of Gaudí at the Sagrada Família, La Pedrera and the Casa Batlló, relive Barça's victories, enjoy yourself with your kids on the Golondrinas pleasure boats and at Barcelona Zoo, or discover the wonders of the Museu Nacional d'Art de Catalunya and other museums. You'll be able to do all this and much, much more, free or at a reduced price, with the Barcelona Card. With just one card you'll be able to travel free on the metro, buses, Catalan railways (FGC), trams and even on the airport train and metro. You'll save time and money as you can also take advantage of free admission to, or discounts at, Barcelona's most important museums and many places of interest, leisure attractions, nightclubs, restaurants, on visits and tours, entertainment, unique means of transport and other services. And for the little ones, aged 4 to 12, there's the Barcelona Card Kids, which gives you all the advantages of the Barcelona Card for a similar price than a travel pass.
The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading. The Queen’s Gallery was opened by Her Majesty The Queen on 29 November 2002, as part of the Golden Jubilee celebrations. It hosts a programme of changing exhibitions from the Royal Collection.
TOWER BRIDGE Over 100 years ago, the Victorians built a bridge that has become one of London's most famous landmarks. High level walkways were built to allow people to cross the Thames whilst the Bridge was lifted to let tall ships sail past. Today these Walkways act as viewing galleries, giving visitors the most spectacular views across an ever changing London skyline. Visitors enter Tower Bridge Exhibition via the North Tower. They are then transported by lift to the top of the Tower (47 metres above the Thames) where they have a unique opportunity to see the Bridge’s steel skeleton from within. A short film explains the history and provenance of the Bridge and then there is the chance to admire the spectacular views – from both covered Walkways. On the east Walkway there are fantastic views of the Docklands and from the west Walkway you can see the new GLA building, the Tower of London, St Paul’s, the city, the Pool of London and Big Ben and the London Eye in the distance. Interactive computerised kiosks and graphic panels explain the significance of the views to visitors, as well as providing more information on the history and building of the Bridge. The interactive material and graphic panels are written in seven languages and an audio loop for the hard of hearing is also in place for the video show. There is another film to view in the South Tower before descending for the short walk to the historical Engine Rooms, included in your ticket price. Victorian Engine Rooms These provide a fascinating insight into late 19th century engineering. Installed for the completion of Tower Bridge in 1894, these huge, and beautifully maintained, coal-driven engines were used to power the thousands of bascule Bridge lifts performed until 1976. Although lifts are now operated by electricity, the original steam engines are still in place. The Engine Rooms give visitors a chance to experiment with models demonstrating the technology behind the Bridge. There are also some amazing photographs of the Bridge throughout its lifetime – including a revealing picture of the heavy steel structure of the Bridge as the stone cladding was installed over it.
The Palace is perhaps best known as the home of Mary, Queen of Scots, and as the setting for many of the dramatic episodes in her turbulent reign. Mary was married at Holyroodhouse and witnessed the brutal killing of her secretary Rizzio by her jealous second husband, Lord Darnley, in her private apartments. The Palace briefly served as the headquarters of Bonnie Prince Charlie during the 1745 uprising. Today the State Apartments are used regularly by The Queen and other members of the Royal Family for State ceremonies and official entertaining. What there is to see: The State Apartments reflect the changing tastes of successive monarchs and are renowned for their fine plasterwork ceilings and magnificent furnishings, particularly the unrivalled collection of Brussels tapestries. One of the most famous rooms in the Palace is the Great Gallery, hung with Jacob de Wet's portraits of the real and legendary kings of Scotland. Included on the visit, a display focuses on the Order of the Thistle, the highest honour in Scotland. The Order honours Scottish men and women who have held public office or who have contributed in a particular way to national life. Shown alongside historic insignia is an example of the mantle worn at the Thistle ceremony at St Giles’ Cathedral in Edinburgh, which The Queen attends during her visit to the Palace in July. From 1 April to 31 October the gardens, which are today used for garden parties, can be included as part of a visit to the Palace of Holyroodhouse. Visitors to the gardens must keep to the paths, which are about 400 yards long. The Queen's Gallery at the Palace of Holyroodhouse in Edinburgh hosts a programme of changing exhibitions from the Royal Collection. Book here. Image Credits: 1.Royal Collection Trust / © Her Majesty Queen Elizabeth II 2018 2.Photographer: Peter Smith. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2018
Dublin's Hop up Hop off Tour stops include: Abbey Street - Lower O'Connell St Trinity College Dublin - College Green Nassau Street - Nassau Street National Gallery. - Merrion Square West Government Buildings - Merrion Sq West St. Stephen's Green - Grafton Street. Tourism Centre - Suffolk Street Temple Bar - Dame Street. Dublin Castle - Cork Hill Christchurch / Dublinia - Christ Church Place. St Patrick's Cathedral - Patrick Street. Guinness Storehouse - St James's Gate Museum of Modern Art - Royal Hospital Kilmainham. Kilmainham Gaol - Old Kilmainham Heuston Rail Station - St. John's Road Dublin Zoo - Phoenix Park Ryan's Victorian Bar - Parkgate Street National Museum - Collin's Barracks Jameson Distillery, Bow St. - Smithfield - Hop off here! The Four Courts - Ormond Quay Liffey River Cruise - Bachelors Walk Dublin Bus HQ Upper O'Connell Writers Museum Parnell Square North Tours operate daily from 09:00. You can redeem your ticket with the tour driver on any of the buses, or, alternatively, go to Dublin Bus Head Office, 59 Upper O'Connell Street.
