Eiffel Tower Visit, Paris City Tour and Seine Cruise

Choose 3, 4, 5 or 7 attractions from the following list: Sydney Attractions: Taronga Zoo Hop-On Hop-Off Big Bus Sydney and Bondi: 1-Day Classic Tour Sydney Jet - Thrill Ride The Sydney Opera House Tour WILD LIFE Sydney Zoo BlueBananas Electric Bike Tours: The Mini Banana - Bike the Bridge Tour Magistic Cruisemart 2-Hour Harbour Sightseeing Cruise Australian National Maritime Museum – Big Ticket Meal at Harbour Bar and Kitchen Blue Mountains Explorer Bus: Hop-On Hop-Off Tour Sydney with Conviction Walking Tour The Sydney Tower Eye with 4D Cinema Experience Eco Hopper 24-Hour Hop-On Hop-Off Pass SEA LIFE Sydney Aquarium Discover Bondi Coastal Walking Tour Café Mezze and Champagne Cruise by Magistic Madame Tussauds Sydney Bondi Surf: 2-Hour Surfboard & Wetsuit Rental Illawarra Fly Treetop Adventures Kings Cross Crime & Passion Walking Tour

Discover this Medieval royal palace that became a revolutionary tribunal and Marie-Antoinette’s prison. The Conciergerie Discover on the Île de la Cité, the exceptional Gothic rooms of the first royal palace of Paris and the reproduction of the prison cells of the revolutionary tribunal. At the end of the 17th century, numerous people were imprisoned in the prison of the Conciergerie, including Marie-Antoinette. The Conciergerie is also listed as a historical building by the Unesco.  

Historic setting: The Household Cavalry Museum sits within Horse Guards in Whitehall, central London, one of the city’s most historic buildings. Dating from 1750, it is still the headquarters of the Household Division, in which the Household Cavalry has performed the Queen’s Life Guard in a daily ceremony that has remained broadly unchanged for over 350 years. The Household Cavalry: The Household Cavalry was formed in 1661 under the direct order of King Charles II and now consists of the two senior regiments of the British Army – The Life Guards and the Blues and Royals. We have two roles: as a mounted regiment (on horseback), we guard Her Majesty The Queen on ceremonial occasions in London and across the UK and are a key part of the Royal pageantry; as an operational regiment we serve around the world in armoured fighting vehicles. We currently have units deployed on active service in Iraq and Afghanistan. Our fighting capacity is matched by our strategic role in international peace keeping and humanitarian operations. Collections: Over the centuries we have amassed an outstanding collection of rare and unique treasures from ceremonial uniforms, royal standards and gallantry awards to musical instruments, horse furniture and silverware by Fabergé. Each exhibit has its own compelling story to tell and many are on display for the very first time. You can see two silver kettledrums given to the regiment in 1831 by William IV; the pistol ball that wounded Sir Robert Hill at Waterloo and the cork leg which belonged to the first Marquess of Anglesy, who, as the Earl of Uxbridge, lost his real one at Waterloo. Modern additions to the collection include Jacky Charlton’s football cap – he did his national service with the regiment and Sefton’s bridle – the horse that was injured in the 1982 Hyde Park bombings. Much of the collection has resulted from the close association that has existed between the Household Cavalry and Royalty. We have, after all, protected successive kings and queens from rebels, rioters and assassins for nearly 350 years. Working Stable Block: Visitors can gain a unique behind-the-scenes look at our working stable block. All the horses here are on duty and at different times of the day you will see something going on - you might see the horses being brought in, groomed, fed and watered, their hooves oiled and shoes checked, their saddles adjusted ready to go on guard or just see the stables themselves being cleaned. Both our horses and riders go through a rigorous and demanding training. In the Museum's many interactive and multimedia presentations, you will hear first hand accounts of what this training is like and the techniques our soldiers use to master their horses and complete the gruelling preparations for regimental inspections.

Get a taste of life on the ocean waves, including the chance to take the ship's wheel and learn how to steer 963 tons of Victorian tea clipper through storms and high seas Learn the story of one of the most famous and magnificent ships in the world Take in epic views of the London skyline.   Initially built for the China tea trade and launched in 1869, Cutty Sark’s original wooden planks and iron frames have been meticulously conserved. As part of an ambitious six-year conservation project, the ship was raised over three metres, giving visitors the unique opportunity to stand directly underneath this world wonder and see her elegant lines and ground-breaking design. It has now been developed into an  award-winning museum and visitor experience.   Located in the UNESCO World Heritage Site of Maritime Greenwich, the National Maritime Museum and the Queen’s House are both located within a short walking distance from Cutty Sark and are free to visit. The Royal Observatory is another must-see attraction when visiting Greenwich; it’s the home of Greenwich Mean Time and the Prime Meridian.

ACTIVATING THE NEW YORK PASS The smart card records when and where you first use your Pass, as well as how long the Pass will remain valid. This means your Pass is activated the moment that you first use it at an attraction or service. Your New York Pass is then valid for the number of days that you've purchased - be it 1, 2, 3, 5, 7 or 10 days. It is important to note that a ‘day’ is based on a calendar day, not a 24 hour period. VALIDITY OF THE NEW YORK PASS The New York Pass is valid for use on consecutive days only. You can visit each attraction just once with the New York Pass. At the end of your validity period, the pass will expire and will no longer allow access to attractions. If, for example, you used a three day pass for the first time on Monday, your pass will cease working at the end of Wednesday, regardless of how often you have used it in between. SKIPPING THE LINES As well as free entry, the New York Pass allows you to skip long lines at some of the busiest tourist attractions. Simply look for the New York Pass signs and show the attendant your New York Pass - they will swipe your card through the New York Pass machine and you will be allowed entrance - more >> BOOKING TOURS IN ADVANCE The most popular tours often sell out in advance, but once you purchased your New York Pass online, you can secure your place with your online confirmation number. There are 17 Tours you can book in advance with New York Pass FREE GUIDEBOOK Every Adult Pass comes with a 200 page pocket guidebook, which details all attractions and special offers available for Pass holders. If you choose the delivery option it will be delivered with your Passes. Customers collecting their Passes will also receive their free guidebooks at the collection point. It’s possible to download a guidebook pdf here >> THE NEW YORK PASS APP This free app is the perfect travel guide for your trip to New York City. With complete information and photographs of over 80 NYC attractions, as well as practical tips to make the best of your visit, this app will leave you more time to experience all that New York City has to offer. MONEY BACK GUARANTEE Zero risk buying ahead - New York Passes can be purchased up to 12 months before your trip. In case your travel plans change, New York Pass insurance gives you peace of mind offering full refund on non-used Passes. No questions asked.  

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading. The Queen’s Gallery was opened by Her Majesty The Queen on 29 November 2002, as part of the Golden Jubilee celebrations. It hosts a programme of changing exhibitions from the Royal Collection.