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The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.
Get a taste of life on the ocean waves, including the chance to take the ship's wheel and learn how to steer 963 tons of Victorian tea clipper through storms and high seas Learn the story of one of the most famous and magnificent ships in the world Take in epic views of the London skyline. Initially built for the China tea trade and launched in 1869, Cutty Sark’s original wooden planks and iron frames have been meticulously conserved. As part of an ambitious six-year conservation project, the ship was raised over three metres, giving visitors the unique opportunity to stand directly underneath this world wonder and see her elegant lines and ground-breaking design. It has now been developed into an award-winning museum and visitor experience. Located in the UNESCO World Heritage Site of Maritime Greenwich, the National Maritime Museum and the Queen’s House are both located within a short walking distance from Cutty Sark and are free to visit. The Royal Observatory is another must-see attraction when visiting Greenwich; it’s the home of Greenwich Mean Time and the Prime Meridian.
The adventurous will make a beeline for Pure Rafting with its rapids, whirlpools and peaceful backwaters. There’s a whole universe of water attractions for the family at Aqualand, a world of waterslides of all types and heights to thrill and relax you; your kids will have the time of their lives. You’ll find vibrant attractions such as the Grand Canyon, the Black Hole or the Twister, and other more relaxing ones including Jacuzzis, Tropical Lake and Lake Niagara. There are more than 30 slides to choose from at this themed water park with swimming pools to keep the little ones entertained while you relax in the sun. Or maybe you could chill in one of the whirlpools and when you need a rest from all the excitement, lie down in the landscaped gardens. You can also enjoy a family meal in the picnic areas ... if you can get the children out of the water. Make a splash! Enjoy AQUALAND!
It takes many different elements to create a truly great Las Vegas show. X Burlesque's concept and theme is what allows the show to grow into its own right
Part of this tour will be the visit of the museum of Prostitution for a fascinating introduction to the red light district and what happens there. You will learn everything about the system and experience for yourself what it feels like to sit behind the windows. During this excursion, we guarantee your safety - you will be accompanied by a very reliable guide.
Enjoy an unforgettable night on the town with a show that has no rules but everyone's a winner when you get tickets to The Miss Behave Game Show from ShowTickets.com.
