City Sightseeing Turin - Hop on Hop off Tour - Winter Season

The ‘Eat Street Markets’ are set on an old disused container wharf. Come and enjoy everything from aromatic international cuisines and boutique beers, to the enchanting sights and sounds of live performers.  Take a beautiful and leisurely ride around the twists and turns of the Brisbane River to experience Brisbane's best night food markets.  The tour starts and finishes at Southbank Parklands. This is a unique opportunity and a delightful way to spend a Friday or Saturday evening in Brisbane. The entire route is on bike paths with no cars, and no hills! An ample amount of time (approx 1 - 1.5 hours) is available for you to explore the markets and try out the different food, drink and entertainment options. We return to Southbank Parklands via a comfortable boat cruise along the Brisbane river and witness the city come alive from a unique perspective.   Your entry fee to the markets and river cruise is included in the ticket price. Any additional purchases are at your own expense.   Please note that this tour requires a minimum of two people for the tour to go ahead. 

All visitors (including members and visitors 18 and under, who always receive free admission) require a ticket so we can ensure the museum does not exceed capacity. Order tickets in advance for all members of your party so everyone can enter the galleries at the same time. No eating, drinking, smoking, or sleeping is permitted in the Museum. Eating and drinking are permitted in designated areas only (Café 5, Sightglass at SFMOMA, and In Situ). Sealed food and drink containers are allowed if they are packed away inside a bag. Backpacks may not be carried on your back; they must be carried or worn on your front at all times.  

Dublin's Hop up Hop off Tour stops include: Abbey Street  - Lower O'Connell St Trinity College Dublin  - College Green Nassau Street  - Nassau Street National Gallery.   - Merrion Square West Government Buildings  - Merrion Sq West St. Stephen's Green  - Grafton Street. Tourism Centre  - Suffolk Street Temple Bar  - Dame Street. Dublin Castle  - Cork Hill Christchurch / Dublinia  - Christ Church Place. St Patrick's Cathedral  - Patrick Street. Guinness Storehouse  - St James's Gate Museum of Modern Art  - Royal Hospital Kilmainham. Kilmainham Gaol  - Old Kilmainham Heuston Rail Station  - St. John's Road Dublin Zoo  - Phoenix Park Ryan's Victorian Bar  - Parkgate Street National Museum  - Collin's Barracks Jameson Distillery, Bow St.  - Smithfield - Hop off here! The Four Courts  - Ormond Quay Liffey River Cruise  - Bachelors Walk Dublin Bus HQ   Upper O'Connell Writers Museum  Parnell Square North Tours operate daily from 09:00. You can redeem your ticket with the tour driver on any of the buses, or, alternatively, go to Dublin Bus Head Office, 59 Upper O'Connell Street.

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.  

NOTE: Children of 13 years or younger must be accompanied by an Adult in order to climb the Monument. Please note that in order to preserve the Monument’s original structure, visitors with large bags are requested to leave these at the base of the staircase.

Rates do not include gratuity to drivers and/or guides.