Hornblower - San Francisco - Dinner Cruise - Sun - Fri

Historic setting: The Household Cavalry Museum sits within Horse Guards in Whitehall, central London, one of the city’s most historic buildings. Dating from 1750, it is still the headquarters of the Household Division, in which the Household Cavalry has performed the Queen’s Life Guard in a daily ceremony that has remained broadly unchanged for over 350 years. The Household Cavalry: The Household Cavalry was formed in 1661 under the direct order of King Charles II and now consists of the two senior regiments of the British Army – The Life Guards and the Blues and Royals. We have two roles: as a mounted regiment (on horseback), we guard Her Majesty The Queen on ceremonial occasions in London and across the UK and are a key part of the Royal pageantry; as an operational regiment we serve around the world in armoured fighting vehicles. We currently have units deployed on active service in Iraq and Afghanistan. Our fighting capacity is matched by our strategic role in international peace keeping and humanitarian operations. Collections: Over the centuries we have amassed an outstanding collection of rare and unique treasures from ceremonial uniforms, royal standards and gallantry awards to musical instruments, horse furniture and silverware by Fabergé. Each exhibit has its own compelling story to tell and many are on display for the very first time. You can see two silver kettledrums given to the regiment in 1831 by William IV; the pistol ball that wounded Sir Robert Hill at Waterloo and the cork leg which belonged to the first Marquess of Anglesy, who, as the Earl of Uxbridge, lost his real one at Waterloo. Modern additions to the collection include Jacky Charlton’s football cap – he did his national service with the regiment and Sefton’s bridle – the horse that was injured in the 1982 Hyde Park bombings. Much of the collection has resulted from the close association that has existed between the Household Cavalry and Royalty. We have, after all, protected successive kings and queens from rebels, rioters and assassins for nearly 350 years. Working Stable Block: Visitors can gain a unique behind-the-scenes look at our working stable block. All the horses here are on duty and at different times of the day you will see something going on - you might see the horses being brought in, groomed, fed and watered, their hooves oiled and shoes checked, their saddles adjusted ready to go on guard or just see the stables themselves being cleaned. Both our horses and riders go through a rigorous and demanding training. In the Museum's many interactive and multimedia presentations, you will hear first hand accounts of what this training is like and the techniques our soldiers use to master their horses and complete the gruelling preparations for regimental inspections.

The day begins with a hotel pick-up between 06:15 and 07:00. Heading east across the San Francisco-Oakland Bay Bridge offers great views of the San Francisco skyline, Alcatraz Island, Fisherman's Wharf, and the Golden Gate Bridge. En Route to the park we cross through the Central Valley, where we will stop at a fruit stand for some local produce. Famous for its rich volcanic soil, the Central Valley is the largest agricultural region in the United States. The section we drive through is best known for specialty fruits and nuts such as almonds, walnuts, cherries, and strawberries. After this quick rest stop, we enter the rolling foothills of the Sierra Nevada. Continuing into the mountains brings us to California gold country and the gold rush town of Groveland before we wind our way into Yosemite National Park. Maps in hand, we begin with a one and a half hour in-coach narrated tour of Yosemite's glaciated valley. You will see famous waterfalls and rock formations including Yosemite Falls - the tallest waterfall in North America - El Capitan, Half Dome, Bridalveil Falls, Sentinel Dome, and much more. During the tour you will see Yosemite Valley from a number of great vantage points, the best of which is perhaps Inspiration Point. At 4,500 feet above sea level, this viewpoint gives you a commanding view east up the valley. Yosemite is a mecca for rock climbers, and the sight of people climbing El Capitan's 3,200 ft. (1000m) sheer rock face is quite amazing. Because of our small group size, we can incorporate multiple photo stops into our tour so you can better enjoy your time in the park. After the tour, we stop for the afternoon near the base of Yosemite Falls, where there are a variety of options for lunch (not included). After eating, you will have 3-4 hours of free time to explore the valley as you choose. You can walk to the base of Yosemite Falls, check out the visitor center, visit the Ansel Adams Gallery, stop in at the Ahwahnee Hotel, rent a cruiser bike, or hike some of the trails that originate from the valley. Although you could spend three weeks in Yosemite, the three hours you get on your own is enough time to understand why Yosemite is one of America's most popular national parks. Regrouping again in the late afternoon, we head for San Francisco, stopping for a short break before arriving back in the city and dropping you at your lodging between 8:30 and 9:00pm. Highlights: See El Capitan, Half Dome, Yosemite Falls, Bridalveil Falls, Inspiration Point (aka Tunnel View), and Yosemite Village Free time in Yosemite Valley to explore/hike Eco-friendly transport in biodiesel mini-coaches   Inclusions: Complimentary pickup/dropoff from your San Francisco hotel Full-time professional, knowledgeable guide Narrated in-coach tour of Yosemite (1.5 hrs) 3 hours of free time in the Valley Yosemite Park entrance fee Transportation to/from Yosemite in biofuel mini-coach ​ Not Included: Meals (stops will be made to purchase food) Guide gratuity (optional)   Gear List:  May-Oct: Camera & charger Small bag that can fit under seat Spending money for incidentals and lunch Sneakers or hiking boots Swimwear, towel, sandals (optional) Bug spray Sun protection Water bottle   Nov-Apr** - Additional items recommended are: Warm clothing, coat Knit hat, gloves **Winter temperatures in Yosemite are on average 50 F/10 C, but can be as low as 28 F/-2 C. 

Titanic Belfast + SS Nomadic  The self-guided tour takes approximately 1.30 - 2 hours. Guided tour of Nomadic is 30 minutes. Your ticket for the Nomadic is valid on the day of your Titanic Belfast visit and the following day. Crumlin Road Gaol We recommend that you arrive at least 10 - 15 minutes prior to the tour time, to enable tickets to be checked. There is also a small museum collection and gift shop on site which you may want to explore.

Validity Your tickets are valid for 2 days, redeemable anytime before the end of the year. You may enter as you wish, within operating hours.

St Paul’s Cathedral, whose dome dominates London’s skyline, is England’s architectural masterpiece and place of national celebration. The cathedral was designed by the famed architect Sir Christopher Wren, after the Great Fire of London in 1666 destroyed its predecessor. The cathedral took 35 years to build from 1675 – 1710, spanning the lives of five monarchs and was the first cathedral to have been built and completed in its architect’s lifetime. St Paul’s Cathedral is where people and events of overwhelming national significance have been celebrated, mourned or commemorated. From state funerals for British heroes such as Sir Winston Churchill, to the Royal Wedding of Prince Charles to Lady Diana Spencer, and National Services of Thanksgiving to celebrate the Silver, Golden and Diamond Jubilee’s of Her Majesty the Queen. Touch-screen multimedia guides in nine languages are included for sightseers, offering up to 90 minutes of audio commentary, videos and imagery for a self guided tour. Tours led by cathedral guides are also offered, usually starting at 10.00, 11.00, 13.00 & 14.00 and last for 90 minutes; visitors should register to join a tour once inside the cathedral. Explore the cathedral floor then visit the Whispering Gallery to test the unique acoustics. Climb further to the Stone and Golden Galleries, which afford breathtaking panoramic views across the city. Descend to the crypt which houses tombs and memorials to famous Britons such as Admiral Lord Nelson, The Duke of Wellington and Wren himself.   

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading. The Queen’s Gallery was opened by Her Majesty The Queen on 29 November 2002, as part of the Golden Jubilee celebrations. It hosts a programme of changing exhibitions from the Royal Collection.