Incredible Adventures - Yosemite National Park Day Tour

Historic setting: The Household Cavalry Museum sits within Horse Guards in Whitehall, central London, one of the city’s most historic buildings. Dating from 1750, it is still the headquarters of the Household Division, in which the Household Cavalry has performed the Queen’s Life Guard in a daily ceremony that has remained broadly unchanged for over 350 years. The Household Cavalry: The Household Cavalry was formed in 1661 under the direct order of King Charles II and now consists of the two senior regiments of the British Army – The Life Guards and the Blues and Royals. We have two roles: as a mounted regiment (on horseback), we guard Her Majesty The Queen on ceremonial occasions in London and across the UK and are a key part of the Royal pageantry; as an operational regiment we serve around the world in armoured fighting vehicles. We currently have units deployed on active service in Iraq and Afghanistan. Our fighting capacity is matched by our strategic role in international peace keeping and humanitarian operations. Collections: Over the centuries we have amassed an outstanding collection of rare and unique treasures from ceremonial uniforms, royal standards and gallantry awards to musical instruments, horse furniture and silverware by Fabergé. Each exhibit has its own compelling story to tell and many are on display for the very first time. You can see two silver kettledrums given to the regiment in 1831 by William IV; the pistol ball that wounded Sir Robert Hill at Waterloo and the cork leg which belonged to the first Marquess of Anglesy, who, as the Earl of Uxbridge, lost his real one at Waterloo. Modern additions to the collection include Jacky Charlton’s football cap – he did his national service with the regiment and Sefton’s bridle – the horse that was injured in the 1982 Hyde Park bombings. Much of the collection has resulted from the close association that has existed between the Household Cavalry and Royalty. We have, after all, protected successive kings and queens from rebels, rioters and assassins for nearly 350 years. Working Stable Block: Visitors can gain a unique behind-the-scenes look at our working stable block. All the horses here are on duty and at different times of the day you will see something going on - you might see the horses being brought in, groomed, fed and watered, their hooves oiled and shoes checked, their saddles adjusted ready to go on guard or just see the stables themselves being cleaned. Both our horses and riders go through a rigorous and demanding training. In the Museum's many interactive and multimedia presentations, you will hear first hand accounts of what this training is like and the techniques our soldiers use to master their horses and complete the gruelling preparations for regimental inspections.

Little Train of Paris Montmartre The Circuit:

Place Blanche Place du Tertre Place Constantin Pecqueur
Moulin Rouge Espace Dali La Halle et le Marché Saint-Pierre
Basilique du Sacré Coeur Musée Montmartre Anvers
Amphithéâtre / Arènes Le Lapin Agile Retour Place Blanche
Église Saint-Pierre Cimetière Saint-Vincent  

London Eye - Standard Experience Please remember that the boarding procedure for the London Eye takes around 30 minutes Our price is the same as you would pay buying on the London Eye website or telephone booking lines and there are no constraints on last minute bookings. For a different perspective visit at sunset and see the city lights come on and the skyline awash with vibrant colours. Unaccompanied children are not permitted to board the London Eye. Any booking made for an unaccompanied child will be taken as confirmation that the child will be joining a party under the supervision of an adult aged 18 years or older. 365 Tickets will not be held responsible if a child is turned away at the London Eye, nor will the ticket be refundable! Safety and security is our number one priority. For your safety and convenience, please read the following information on what items can and can not be taken on to the London Eye. Please be aware that all guests are subject to a security search when boarding the London Eye. Please note that the following items CAN be taken on board the London Eye: • briefcases • laptops • small day size rucksacks and bags (maximum size 18" x 13" x 8" or 46cm x 33cm x 20cm) • baby bags The following items CANNOT be taken on board the London Eye; • large bags/suitcases or rucksacks • motorcycle helmets • skateboards and rollerblades • tripods (unless agreed in advance with the London Eye) • baby buggies* • prohibited items** If you are unsure . * Baby buggies can be left at our 'Buggy' area facility in the ticket hall, although only for the duration of the experience. ** Prohibited items include sharp objects or anything which may be considered a security risk including penknives, scissors, metal nail files, toy or replica guns. If such objects are found or declared they will be checked in and returned to you after your experience providing the item is legal in the UK. Terms and Conditions 1. Confiscated objects are left entirely at the owner's risk at all times. 2. London Eye Company (LEC) accepts no responsibility for the loss of or damage to any objects left with LEC. 3. LEC is entitled to refuse to store any visitor's objects at its sole discretion whether for public safety reasons or any other reason.  

This is the text for the Frequently Asked Questions that applies to this specific tour. (Q) Do tours run all year round? (A) Yes, from November to March we will run tours on a reduced schedule at 11am from Thursdays to Mondays, inclusive. Please see the tour page for full details. (Q) Where is the meeting point for the tour? (A) Directly outside Queensway tube station, which is on the central line (the red line cutting across the map from east to west). 15 minutes before the start of the tour, one of our guides will be standing by the red phone boxes holding a Fat Tyre sign. (Q) Is the tour difficult? (A) No. Most of the time is spent on bike lanes within the Royal Parks. There is a bit of road riding and a few crossings so a basic level of cycling proficiency is required. (Q) What happens if it rains? (A) We run tours rain or shine and have plenty of rain ponchos. We find tours in the rain to be a different kind of fun and an even more fun memory! If you have a reservation and the weather is really bad, you are welcome to reschedule the tour for any other day for up to year. (Q) Do we stop for lunch? (A) Yes. We usually stop near Trafalgar Square where there are plenty of options for lunch including to join your guide at a traditional English pub. Otherwise, we may stop in St James park next to a cafe. (Q) Where does the tour end? (A) Both tours finish at the same place they start. (Q) Do we go inside the sites? (A) No, the bike tours are an overview of the sites and more about getting a feel for the city. However, on private tours you can arrange to take extra time at the sites if you'd like to go inside. (Q) Will we be able to take photos? (A) Yes. There will be a chance to take many photos at the designated stops. (Q)Is there a space to store bags or luggage? (A)Yes. You are welcome to leave bags, luggage or unwanted family members in our garages. Someone is usually in the office and it will be locked up if they have to leave. While we have never had a single case of theft or loss of items, you do leave them at your own risk. (Q) Do you provide the bikes? (A) Absolutely. (Q) Can I supply my own bike? (A) You are welcome to bring your own bicycle. Our insurance only covers the theft of our own bicycles, so please do bring your own lock for the lunch stop. (Q) Can an adult ride on the tandem? (A) No. Our tandems are known as tag-alongs which attach to adult bikes and are designed for children up to about the age of five years old.. (Q) Are helmets provided? (A) Yes. You are not compelled by law to wear helmets in the UK, but we have more than enough for everyone so the choice is entirely yours.

The tour begins with a pick-up from your hotel. After a quick stop to pick up picnic supplies for lunch (price not included; pre-order options available) from a local organic deli and market, you’ll head north across the Golden Gate Bridge. You will be immediately rewarded with sweeping views of the San Francisco Bay: Alcatraz Island, the city skyline, and the vast expanse of the Pacific Ocean are just a few of the picturesque vistas from this remarkable bridge.  Next, we’ll wind our way through the coastal mountains of the Marin Headlands and past Mt. Tamalpais (the highest point in the North Bay region), leaving the rush of the city behind and setting the pace for a relaxing day out in the country. Once in Sonoma County, dairy farms and vineyards provide an inspiring introduction to the rolling hills and beautiful valleys that have supplied the world with fantastic wines for over 60 years. Your professional guide will give you details about the region, wine, and the day's itinerary so that you can truly appreciate your experience. The first stop will be the Benziger Family Winery & Biodynamic Vineyard, where you will enjoy a close-up look at the vineyards, fermentation facility, and crush pad on a comfortable tram tour. You’ll also have a chance to walk through their barrel caves! The tour is approximately 45 minutes long, and includes a special tasting of Benziger's biodynamic and other award-winning wines. After your tasting, enjoy your picnic lunch (included: see menu for pre-order options) in a quiet spot at one of the local wineries, surrounded by views of the beautiful countryside and vineyards. In the afternoon, you will head over to famed Napa County for more wine tasting in Oakville, Yountville, or in the town of Napa. The landscape of rolling hills laced with rows of wine grapes is impressive and will provide a romantic backdrop for memorable photographs. On the return trip, you’ll make one more photo stop above the Golden Gate Bridge - a must-do if you've never witnessed the awe-inspiring view of San Francisco from the Marin Headlands! At the end of the tour you will return to your San Francisco accommodations (around 6pm). **note: To best suit the needs of our partner wineries and our guests, it is sometimes necessary to slightly alter the itinerary of the tour. In the wintertime there is less daylight and some tasting rooms may have shorter open-hours. Your group may also make a detour to Muir Woods National Monument. If this is not an original item in your itinerary, please be aware that your entrance fee will be covered and you are welcome to enjoy the cafe and have a delicious warm breakfast or a cup of coffee in lieu of exploring the woods. Highlights: Golden Gate Bridge Marin Headlands 45 min Benziger Winery Tram Tour  Napa AND Sonoma Counties Lunch INCLUDED! Excellent wine varietals for all tastes and preferences Inclusions: Hotel pick-up and drop-off Narrated guided tour Benziger Winery Tram Tour ($20 retail value) Organic, local picnic lunch (choice of turkey, ham, roast beef, or vegetarian sandwich) Wine tasting at 4-5 unique wineries (some tasting fees may apply; proper ID required for tasting) Lunch Options: Turkey with whole wheat bread, mayo, mustard, tomato, lettuce, pickle, onion comes with: pasta salad, piece of fruit, & cookie or brownie Roast Beef with whole wheat bread, mayo, mustard, tomato, lettuce, pickle, onion comes with: potato salad, piece of fruit, & cookie or brownie Ham with whole wheat bread, mayo, mustard, tomato, lettuce, pickle, onio n comes with: potato salad, piece of fruit, & cookie or brownie Vegetarian with whole wheat bread, mayo, mustard, tomato, lettuce, pickle, onion, olives, sprouts, pepperoncini, cucumber comes with: coleslaw, piece of fruit, & cookie or brownie

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.