Kostenlos
Unterstützung
Discover the romantic town of Paris in only 40 minutes !
The Little Train of Paris Montmartre offers a tour in the heart of Montmartre, with a return from la Place du Tertre. It also includes a full commentary with music.
This is a lovely way to go up Montmartre if you get on the train at Place Blanche and use it to go up to Place du Tertre. It is a steep way up to Montmartre and this is a great, and fun, alternative!
The Circuit:
Place Blanche
Place du Tertre
Place Constantin Pecqueur
Moulin Rouge
Espace Dali
La Halle et le Marché Saint-Pierre
Basilique du Sacré Coeur
Musée Montmartre
Anvers
Amphithéâtre / Arènes
Le Lapin Agile
Retour Place Blanche
Église Saint-Pierre
Cimetière Saint-Vincent
The Highlights:
Charming way to discover the famous district of Montmartre
Circuit of 14 stages to make your tour as detailed as possible
Please note that the ticket for the Paris Montmartre Little Train is valid from December 1st 2018 until 12/31/2019
For Tours:
Please plan to arrive 15 minutes prior to your tour time (20 minutes prior if you have booked children's equipment). Please bring your receipt or confirmation number.
Participants arriving after the tour departure time risk forfeiture of their tour seats.
If you would like to reschedule your reservation you may do so at any time.
If you cancel your reservation at least 48 hours prior to the tour start time and would like a refund we will issue a refund less a 10% processing fee.
No Refund will be issued for a reservation cancelled with less than 48 hours notice.
We reserve the right to cancel any tour for weather or other reasons. If the tour is cancelled, and you are unable to make any of the rescheduled tours, we will issue a full refund for the cancelled tour.
If the weather is questionable, please call one hour prior to the start time to confirm the tour status.
On the day of your tour, bring your printed voucher(s) and photo identification to the tour departure location.
Trailer carriages, trailer tandems, and child seats available for children at the child rate.
Tours may be cancelled if the weather makes for dangerous riding conditions. If we are unable to reschedule the tour, we will issue a full credit or refund.
Please note: On occasion, due to events, some stops might not be guaranteed, updated tour stop information can be found at the bus stops or on the online app Line A Piazza Castello Mole Antonellina Villa della Regina Monte dei Cappuccini Borgo Medievale Parco del Valentino Piazza Carlo Felice Duomo Line B Piazza Castello Museo Scienze Naturali Parco del Valentino Museo dell'Automobile Pinacoteca Agnelli-Lingotto-Arco Olimpico Stazione FS Lingotto Stadio Olimpico e Palaolimpico Officine Grandi Riparazioni Museo Pietro Micca Line C Piazza Castello Museo Pietro Micca Allianz Stadium & Juventus Museum La Venaria Reale Castello de La Mandria Porta Palazzo Nuvola Lavazza
hattric-Geschenkgutschein über 50 Euro Sie möchten Freunden oder Verwandten eine Freude machen und habe keine Idee was Sie verschenken können? Wir haben die Lösung: Überreichen Sie als Präsent einen Geschenkgutschein von hattric! Und so einfach geht‘s: Sie bestellen hier diesen Gutschein und Sie erhalten in
The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.
