Libre
Soutien
Silhouette:Jumpsuits; Hemline / Train:Court Train; Closure:no closure; Built-In Bra:Yes; Embellishment:Draping; Fabric:Stretch Fabric; Sleeve Length:Sleeveless; Tips:Professional dry cleaner only,Colors may vary slightly due to different monitor settings; Boning:Yes; Style:Reformation Amante,Elegant; Occasion:Formal Evening,Wedding Guest; Neckline:One Shoulder; Front page:Evening Dresses; Listing Date:11/16/2021; Bust:; Hips:; Hollow to Floor:; Waist:
Experience Open Top Sightseeing's Panoramic Night Tour of Las Vegas with tickets at great prices from ShowTickets.com.
Celebrate DCINY's Ode to Joy: Beethoven's Symphony No. 9 and Choral Fantasy this holiday season with tickets at great prices from ShowTickets.com.
The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading. The Queen’s Gallery was opened by Her Majesty The Queen on 29 November 2002, as part of the Golden Jubilee celebrations. It hosts a programme of changing exhibitions from the Royal Collection.
One World Observatory es la más reciente y mayor atracción de la Gran Manzana. Situado en los tres pisos superiores del One World Trade Center que ahora es el edificio más alto del hemisferio occidental, el hemisferio ofrece vistas impresionantes de Manhattan y sus alrededores.
Con esta entrada, tendrá acceso a los tres pisos del Observatorio para vivir una experiencia inolvidable con grandes oportunidades para sacar fotos, conocer la historia de la ciudad de Nueva York y con varias opciones gastronómicas.
Incluye:
Entrada al Observatorio One World, situado en la parte superior del World Trade Center
Acceso a la cima del edificio más alto del hemisferio occidental en menos de 60 segundos
Vistas icónicas del horizonte de Manhattan y sus alrededores
Interactúe con City Pulse y sus embajadores mientras comparten historias de esta increíble ciudad
Pasee por la plataforma de cristal: Sky Portal
Idiomas disponibles para el suplemento One World Explorer:
Inglés, japonés, chino, francés, alemán, portugués, italiano e hindi
El suplemento One World Explorer le permitirá disfrutar de una experiencia única y mejorada con un iPad, ofreciéndole tours virtuales en helicóptero por los lugares más icónicos de Nueva York. Podrá echar un vistazo más cercano a las espectaculares vistas que hay desde el observatorio con una experiencia interactiva de imagen y sonido que le permitirá escoger que elementos del skyline de la ciudad quiere explorar. Más de cuarenta de los más importantes sitios de Nueva York tienen vídeos disponibles, incluyendo una sección especial para niños. Toque uno de los puntos de interés y vuele hasta ahí para un visión próxima y personal donde aprenderá porque Nueva York es tan única y magnífica.
The Royal Pavilion started as a modest 18th century lodging house. Architect Henry Holland helped George, Prince of Wales, transform his humble seaside retreat into a handsome neo-classical villa – known as the Marine Pavilion. In 1815 George, by now Prince Regent, hired the eminent architect John Nash, to redesign the building in the Indian style. The work was completed in 1823 by which time George had become King. It is this building, an instantly recognisable symbol of Brighton, which we see today. Why visit the Royal Pavilion? We're a former Royal Palace right in the city centre, surrounded by the beautiful Royal Pavilion Gardens. We have audio guides in many languages, a fabulous Tearoom and well stocked gift shop. There's loads to do nearby and we're only a 5 min walk from the beach, so why not make a day of it?