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Soutien
Please present the printed voucher at the beginning of the tour. Please make sure to show up on time. Being late might prevent you from taking part in the tour
Important Information Open from 10:00am to 5:00pm. Last admission is 4:00pm Duration approx. 90 mins Please be advised that heels smaller than a 2p cannot be worn onboard. Address: Alexandra Dock, Queens Rd, Belfast BT3 9DT Voucher to be exchanged at the above address. Not valid for special ticketed events. HMS Caroline is closed on 24, 25 and 26 December.
If you are looking for an exceptional and unique experience in Dubai, Museum of Illusion is a great choice for the whole family. Enjoy an intriguing visual, sensory and educational experience with a handful of new, unexplored illusions. Do not forget to take your camera and share memories with friends after!
Die Eintrittskarten beinhalten eine Multimediatour. Die Queen's Gallery im Buckingham Palace ist wechselnden Ausstellungen von Kunstgegenständen aus der königlichen Sammlung gewidmet. Diese umfassende Sammlung von Kunstgegenständen und Schätzen aus aller Welt wird von der Queen für die gesamte Nation bewahrt. Canaletto & Die Kunst von Venedig 19. Mai - 12. November Die königliche Sammlung umfasst Arbeiten von Venedigs berühmtesten Maler Canaletto (1697-1768). Diese Werke kaufte der junge König George III 1762 von Canalettos Agenten Joseph Smith, dem britischer Konsul in Venedig. Die Ausstellung präsentiert eine spektakuläre Auswahl venezianischer Kunst des 18. Jahrhunderts. Canalettos größte Werke werden neben Gemälden und Arbeiten auf Papier von Sebastiano und Marco Ricci, Francesco Zuccarelli, Rosalba Carriera, Pietro Longhi und Giovanni Battista Piazzetta gezeigt. Die Ausstellung Einblicke in die Höhepunkte des 18. Jahrhunderts in Venedig. Von der Pracht des Canal Grande und des Markusplatzes bis zu seinen Festen, dem Theater und dem Maskenkarneval bringt sie unwiderstehliche Faszination der schönsten Stadt der Welt in die Queen's Gallery. Ein begleitender Film stellt Canaletto und Smith vor und erklärt Hintergründe zu den Themen der Ausstellung.
Edge Zones Edge Zone 1 - 1945 - 1962 The Anglo-American special relationship of the Second World War triggered an evolution of musical trends in Britain. Big band music became popular through visiting GIs and the revived sounds of Dixieland and New Orleans trad jazz were introduced into the London scene. The do-it-yourself creed of 1950s skiffle encouraged young musicians to pick up cheap guitars and start their own groups. British pop was transformed by the rock'n'roll craze in the mid 1950s. Edge Zone 2 - 1962 - 1966 In the 1960s, British music went global with the irresistible tide of the 'British Invasion'. The original look and sound of beat groups like The Beatles, R&B bands like The Rolling Stones and female singers like Petula Clark took America by storm and Britain became known as a pop powehouse. Edge Zone 3 - 1966 - 1970 British pop became increasingly involved in cultural exchanges with underground political activity, fashion, art and drugs. Inspired by the 1967 'Summer of Love' in San Francisco, Britain began to stage their own 'love-ins' and 'happenings', with themes of peace and love becoming the inspiration for music in this period. The 12" album toook centre stage and pop evolved into rock as music broke out of the small clubs onto the arena circuit and emerging festival scene. Edge Zone 4 - 1970 - 1975 In contrast to the tough social and economic crisis of 1970s Britain, the charts began to fill with performers singing of escapism, glamour and excitement. A darker vision of 1970s Britain soon appeared through albums like the post-apocalyptic Diamond Dogs by David Bowie and progressive rock flourished. The music industry expanded and audiences sought entertainment, making sell-out arena tours the pinnacle for any successful artist. Edge Zone 5 - 1975 - 1985 This was a period of economic recession in Britain. Pop music reflected this with tougher, more outspoken styles. Punk dramatised Britain's social divisions, while the grassroots Rock Against Racism movement popularised reggae and brought a return to political involvement. Edge Zone 6 - 1985 - 1993 The mid-to-late 1980s was a time of accelerated social, economic, technical and political change. Videos, CDs and satellite broadcasting meant that music was more accessible to the masses. The late 1980s were also a time of regional and musical diversity. Heavy metal was reborn, imported house music reached ecstatic heights with the 'Second Summer of Love' and the 'Madchester' scene was blossoming in the North. Edge Zone 7 - 1993 - 2004 In the mid-1990s, 'Cool Britannia' swept through all areas of British identity. Britpop revived the traditional pop values of the 60s and 70s. The period also saw the rise of manufactured boy bands and The Spice Girls unleashed 'Girl Power' on the world. The rise of Youtube and streaming gave audiences new ways to access music. It presented artists with unchartered waters in the form of new channels emerging to promote their music. Edge Zone 8 - 2004 - Present 2004 saw the launch of X Factor. The manufacturing of pop stars by UK audiences is balanced by the diversity of artists rising to the top of the charts. Rap and R&B stars, indie bands and singer-songwriters take the download chart by storm. The Future It is impossible to predict the future of British music. Who will be the next superstar? how will we listen to music in 2025? Whatever the future, one thing we can be sure of is that the intimate relationship between music and the fan will always continue to transcend any technological, cultural or social barriers. No photography is allowed in the the exhibition.
Highlights of the new Museum include: Fantastic New Cinema Within the walls of the new Wimbledon Lawn Tennis Museum is a remarkable cinema. The Cinema features a 200° screen that immerses the viewer into the world of The Championships by showing a film about the science of tennis. Filming took place during the 2005 Championships on Centre Court of Russia's Maria Sharapova against Spain's Nuria Llagostera Vives. Graham English Productions used a special panoramic rig that used 5 cameras at the same time, the result of which is a film that can be frozen and rotated around the field of action at any time. Using this technique, the film focuses on 20 different aspects of the match and showed viewers how players' bodies and equipment are affected during the course of a professional tennis match. McEnroe's Ghost Sighted at the New Museum Bringing together an old technique called 'Pepper's Ghost' with new projection and filming technology, the museum is able to create an exciting way to view a scene from Wimbledon's past. In a recreation of the 1980s Gentlemen's Dressing Room, a ghost-like image of John McEnroe appears and takes you through a tour of the normally off-limits area. McEnroe reminisces about his memories about the Dressing Room, including how he first met Jimmy Connors and how he would emotionally prepare himself for matches. The Whites of Wimbledon The fashions of Wimbledon continue to be a point of attention and significance to the story of tennis and the new Museum will house an extensive collection of Wimbledon attire. Everything from outfits worn in the 1880s to Rafeal Nadal's dri-fit 'pirate' trousers are on display. There is also an interactive exhibit where you can feel the weight difference between male and female clothing in 1884. Extraordinary New Technology Interactive touch screen consoles are evenly distributed throughout the Museum hallways. These information access points make up a part of the new and exiting technologies within the Museum. Other features are the 'Get a Grip' rotating wheel of rackets; 'The Reactor' game and an archive of great past Championship matches, all of which can be enjoyed by visitors of any age.
