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2 Hour Zip Line Eco Tour: You will travel close to three quarters of a mile over five consecutive zip lines at heights of 300 feet above the canyon floor at speeds pushing 45mph. Beginning at the Hog's Back gate, high in the hills near Avalon and descending through Descanso Canyon, you will pause at several eco-stations along the way before continuing on your journey. At each station, your hosts will give you a presentation on some of the unique and interesting aspects of Catalina Island, its wildlife, history, and the areas you are passing through. Eventually exiting at Descanso Beach, your journey will last approximately 2 hours and your memories will last a lifetime. Available from Anaheim Resort Hotels*, Beverly Hills, Long Beach and San Pedro Cruise Terminals, Redondo Beach, Manhattan Beach, Santa Monica, Venice Beach, LAX Hotels, Marina Del Rey, Huntington Beach, Hollywood, Universal, Downtown LA, Newport Beach *Anaheim Resort Hotels include: Anaheim, Garden Grove, Buena Park Hotels
Going on a canal cruise through Amsterdam is even more fun when you know what you’re looking at. That’s why the central audio system on board the Canal Boat tells you which of the city’s highlights you’re passing by and you’ll know straightaway when to hop off. You may make use of the Wi-Fi network at the piers Rijksmuseum and Leidseplein without cost. This has been made possible by ZapFi. All Canal boats offer full toilet facilities on board. Amsterdam Hop On Hop Off Bus Discover urban parks, city markets and some of Amsterdam’s prettiest strolling streets. Hop On - Hop off Buses offer a comfortable way to see neighbourhoods most visitors don’t even know exist. Sit back and take in the views while listening to the most interesting stories through your personal audio guide. The audio guide is available in 19 languages. Stops: Central Station A’dam LOOKOUT Waterlooplein City Hall Amstel river Skinny bridge Heineken Experience Albert Cuyp Market Rijksmuseum Van Gogh Museum Leidseplein Vondelpark Westerpark Haarlemmerstraat
Silhouette:Mermaid / Trumpet; Hemline / Train:Court Train; Closure:Zipper UP; Built-In Bra:Yes; Embellishment:Pure Color,Draping; Fabric:Charmeuse; Sleeve Length:Sleeveless; Back Details:Backless; Tips:Professional dry cleaner only,Colors may vary slightly due to different monitor settings; Boning:Yes; Style:Elegant,Empire; Occasion:Wedding Guest,Formal Evening; Neckline:Jewel Neck; Front page:Evening Dresses; Listing Date:01/19/2022; Bust:; Hips:; Hollow to Floor:; Waist:
TOWER BRIDGE Over 100 years ago, the Victorians built a bridge that has become one of London's most famous landmarks. High level walkways were built to allow people to cross the Thames whilst the Bridge was lifted to let tall ships sail past. Today these Walkways act as viewing galleries, giving visitors the most spectacular views across an ever changing London skyline. Visitors enter Tower Bridge Exhibition via the North Tower. They are then transported by lift to the top of the Tower (47 metres above the Thames) where they have a unique opportunity to see the Bridge’s steel skeleton from within. A short film explains the history and provenance of the Bridge and then there is the chance to admire the spectacular views – from both covered Walkways. On the east Walkway there are fantastic views of the Docklands and from the west Walkway you can see the new GLA building, the Tower of London, St Paul’s, the city, the Pool of London and Big Ben and the London Eye in the distance. Interactive computerised kiosks and graphic panels explain the significance of the views to visitors, as well as providing more information on the history and building of the Bridge. The interactive material and graphic panels are written in seven languages and an audio loop for the hard of hearing is also in place for the video show. There is another film to view in the South Tower before descending for the short walk to the historical Engine Rooms, included in your ticket price. Victorian Engine Rooms These provide a fascinating insight into late 19th century engineering. Installed for the completion of Tower Bridge in 1894, these huge, and beautifully maintained, coal-driven engines were used to power the thousands of bascule Bridge lifts performed until 1976. Although lifts are now operated by electricity, the original steam engines are still in place. The Engine Rooms give visitors a chance to experiment with models demonstrating the technology behind the Bridge. There are also some amazing photographs of the Bridge throughout its lifetime – including a revealing picture of the heavy steel structure of the Bridge as the stone cladding was installed over it.
With more than 400 miles of bike lanes and traffic-free bike paths, you’ll love NYC by bike!
Stop when you want, get up close and delight in the freedom of pedaling through NYC’s diverse landscape. Experience car-free, fun, easy riding along the scenic Greenways in the city’s waterfront parks.
We’ll give you maps and locks so you can easily access all of NYC’s must-see sites as well as discover something new and exciting around every corner - all at your own pace.
Inclusions: Bike rental includes comfort hybrid bike, helmet, handlebar bag, lock, city map
The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.
