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St Paul’s Cathedral, whose dome dominates London’s skyline, is England’s architectural masterpiece and place of national celebration. The cathedral was designed by the famed architect Sir Christopher Wren, after the Great Fire of London in 1666 destroyed its predecessor. The cathedral took 35 years to build from 1675 – 1710, spanning the lives of five monarchs and was the first cathedral to have been built and completed in its architect’s lifetime. St Paul’s Cathedral is where people and events of overwhelming national significance have been celebrated, mourned or commemorated. From state funerals for British heroes such as Sir Winston Churchill, to the Royal Wedding of Prince Charles to Lady Diana Spencer, and National Services of Thanksgiving to celebrate the Silver, Golden and Diamond Jubilee’s of Her Majesty the Queen. Touch-screen multimedia guides in nine languages are included for sightseers, offering up to 90 minutes of audio commentary, videos and imagery for a self guided tour. Tours led by cathedral guides are also offered, usually starting at 10.00, 11.00, 13.00 & 14.00 and last for 90 minutes; visitors should register to join a tour once inside the cathedral. Explore the cathedral floor then visit the Whispering Gallery to test the unique acoustics. Climb further to the Stone and Golden Galleries, which afford breathtaking panoramic views across the city. Descend to the crypt which houses tombs and memorials to famous Britons such as Admiral Lord Nelson, The Duke of Wellington and Wren himself.
NOTE: Children of 13 years or younger must be accompanied by an Adult in order to climb the Monument. Please note that in order to preserve the Monument’s original structure, visitors with large bags are requested to leave these at the base of the staircase.
The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.
WHAT YOU GET 2-hour narrated San Diego Harbor cruises Information about more than 50 San Diego landmarks 13 miles on the Big Bay in San Diego Unmatched photo and video opportunities Comfortable indoor and outdoor areas A look at marine animals and seabirds An introduction to local environmental efforts Snack bar with adult beverages, soft drinks and hot and cold snacks, plus souvenirs available for purchase *No outside food or beverage is allowed onboard the yacht. For your convenience, we have a fully stocked snack bar and full beverage bar available to purchase on board.
The rocks of Montserrat were formed by natural cement of sand during the centuries. The wind and rain shaped the mountain with strange and varied forms. The popular imagination has seen human or animal shape in some of these peaks, giving those names and inventing legends to explain their fantastic origins. This trip to Montserrat will give you the opportunity to enjoy the wonderful and breath-taking views of the Montserrat Mountain, one of nature’s special creations. You will visit the Royal Basilica of Montserrat, which holds the famous 12th century Romanesque carving of Verge Moreneta (the Black Madonna). You will be able to see this famous statue of the Black Madonna from a distance. The Benedict sanctuary of Montserrat has been founded in 1025 and provides a mystical backdrop for the Virgin of Montserrat, the patron saint of Catalonia who is enshrined in the monastery's Royal Basilica. The little monastery soon began to receive pilgrims and visitors who contributed to the spread of stories of miracles and wonders performed by the Virgin. Today, Montserrat has been modernized to continue attending to the needs to pilgrims, one thousand years after it was originally founded. You will be given some free time to visit the audio visual exhibition about the history and creation of Montserrat. And taste typical liquors of Montserrat. The Escolania of Montserrat is one of the oldest boys choirs in Europe (XIV Century). On some days the children's choir sings in the monastery and so you may be fortunate enough to catch one of their delightful performances. Their timeframe is subjected to the school calendar and special events of the choir and monastery.
