Libre
Soutien
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See all the major sights of London in all their glory by night: • Houses of Parliment • Piccadilly Circus • The London Eye • Trafalger Square • St. Paul's Cathedral • Westminster Abbey • Tower Bridge • Tower of London • Big Ben To see the majestic Tower of London and Tower Bridge highlighted together as our open top tour bus approaches is a picture post card in the making. The huge clock face of Big Ben shines brightly like a beacon from a lighthouse letting everyone know that they really are in London. The fountains in Trafalgar Square dance with joy from the light that shines from within them. The neon lights in Piccadilly reminds you of New Years Day and when you see the lights all around Harrods, well, it’s Christmas all over again. When you see the London Eye and the Houses of Parliament, then you realize why we called ourselves ‘See London By Night’
All visitors (including members and visitors 18 and under, who always receive free admission) require a ticket so we can ensure the museum does not exceed capacity. Order tickets in advance for all members of your party so everyone can enter the galleries at the same time. No eating, drinking, smoking, or sleeping is permitted in the Museum. Eating and drinking are permitted in designated areas only (Café 5, Sightglass at SFMOMA, and In Situ). Sealed food and drink containers are allowed if they are packed away inside a bag. Backpacks may not be carried on your back; they must be carried or worn on your front at all times.
The tour begins with a pick-up from your hotel. After a quick stop to pick up picnic supplies for lunch (price not included; pre-order options available) from a local organic deli and market, you’ll head north across the Golden Gate Bridge. You will be immediately rewarded with sweeping views of the San Francisco Bay: Alcatraz Island, the city skyline, and the vast expanse of the Pacific Ocean are just a few of the picturesque vistas from this remarkable bridge. Next, we’ll wind our way through the coastal mountains of the Marin Headlands and past Mt. Tamalpais (the highest point in the North Bay region), leaving the rush of the city behind and setting the pace for a relaxing day out in the country. Once in Sonoma County, dairy farms and vineyards provide an inspiring introduction to the rolling hills and beautiful valleys that have supplied the world with fantastic wines for over 60 years. Your professional guide will give you details about the region, wine, and the day's itinerary so that you can truly appreciate your experience. The first stop will be the Benziger Family Winery & Biodynamic Vineyard, where you will enjoy a close-up look at the vineyards, fermentation facility, and crush pad on a comfortable tram tour. You’ll also have a chance to walk through their barrel caves! The tour is approximately 45 minutes long, and includes a special tasting of Benziger's biodynamic and other award-winning wines. After your tasting, enjoy your picnic lunch (included: see menu for pre-order options) in a quiet spot at one of the local wineries, surrounded by views of the beautiful countryside and vineyards. In the afternoon, you will head over to famed Napa County for more wine tasting in Oakville, Yountville, or in the town of Napa. The landscape of rolling hills laced with rows of wine grapes is impressive and will provide a romantic backdrop for memorable photographs. On the return trip, you’ll make one more photo stop above the Golden Gate Bridge - a must-do if you've never witnessed the awe-inspiring view of San Francisco from the Marin Headlands! At the end of the tour you will return to your San Francisco accommodations (around 6pm). **note: To best suit the needs of our partner wineries and our guests, it is sometimes necessary to slightly alter the itinerary of the tour. In the wintertime there is less daylight and some tasting rooms may have shorter open-hours. Your group may also make a detour to Muir Woods National Monument. If this is not an original item in your itinerary, please be aware that your entrance fee will be covered and you are welcome to enjoy the cafe and have a delicious warm breakfast or a cup of coffee in lieu of exploring the woods. Highlights: Golden Gate Bridge Marin Headlands 45 min Benziger Winery Tram Tour Napa AND Sonoma Counties Lunch INCLUDED! Excellent wine varietals for all tastes and preferences Inclusions: Hotel pick-up and drop-off Narrated guided tour Benziger Winery Tram Tour ($20 retail value) Organic, local picnic lunch (choice of turkey, ham, roast beef, or vegetarian sandwich) Wine tasting at 4-5 unique wineries (some tasting fees may apply; proper ID required for tasting) Lunch Options: Turkey with whole wheat bread, mayo, mustard, tomato, lettuce, pickle, onion comes with: pasta salad, piece of fruit, & cookie or brownie Roast Beef with whole wheat bread, mayo, mustard, tomato, lettuce, pickle, onion comes with: potato salad, piece of fruit, & cookie or brownie Ham with whole wheat bread, mayo, mustard, tomato, lettuce, pickle, onio n comes with: potato salad, piece of fruit, & cookie or brownie Vegetarian with whole wheat bread, mayo, mustard, tomato, lettuce, pickle, onion, olives, sprouts, pepperoncini, cucumber comes with: coleslaw, piece of fruit, & cookie or brownie
Free leaflets available in English, French, German, Spanish, Italian, Dutch and Polish. DINING / REFRESHMENTS Irish tea room offering tea, coffee, homemade scones and wonderful porter cake. SHOPPING Gift shop selling souvenirs, books and craft items. PARKING Free car and coach parking on-site. WHEELCHAIR ACCESS Partially wheelchair accessible but assistance would be required on rough paths and terrain and at exhibits. Accessible toilet available.
The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.
