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Silhouette:A-Line; Hemline / Train:Sweep / Brush Train; Closure:Zipper UP; Built-In Bra:Yes; Embellishment:Appliques; Fabric:Tulle,Lace; Sleeve Length:Sleeveless; Tips:Professional dry cleaner only,Colors may vary slightly due to different monitor settings; Boning:Yes; Style:Luxurious,Elegant; Occasion:Engagement,Formal Evening; Neckline:V Neck; Front page:Evening Dresses; Listing Date:09/16/2021; Bust:; Hips:; Hollow to Floor:; Waist:
All aboard the 'orrible omnibus for a ride around the dark side of London. The Ghost Bus Tours' classic Routemaster bus has been redesigned to give passengers London's first 'Fright Bus' service. On-board actors and technical trickery combine to create the scariest tour in town. A creepy conductor will provide the commentary for this sinister sightseeing show, revealing haunted Palaces, unmarked burial grounds and the many skeletons in the capital's cupboard. The Ghost Bus Tours - The Necropolis Bus Company Earth to earth… The Necropolis Bus Company began in the 19th century as a private funeral bus service. The Necropolis vehicles or ‘Carcass Coaches’ as they were known to Londoners were able to convey the deceased, pall bearers and up to 50 mourners (no standing) to the final resting place. Each bus had an onboard conductor/chief mourner and a special siren or ‘mourning whistle’ to warn pedestrians of the bus’s approach. The sound of the whistle prompted gentlemen to remove their hats and bow their heads as a mark of passing respect. Ashes to Ashes… Regular service ran until 1967 when a tragic fire at the company depot in South Dulstead razed the building to the ground and destroyed almost the entire fleet of buses. Only one vehicle was salvaged from the ashes and was locked in a storage facility for 40 years. It has now been restored to its original design and is operated by NECROBUS as a sightseeing service in central London. Bus to Bus... The bus is painted in the company’s traditional colour of midnight black. The interior seating is arranged in ‘railway style’ for comfort and so that passengers can grieve openly and offer condolences to each other. Decorative features include lamps and window curtains, which were always drawn if a coffin was stored in the vehicle overnight. This is based on the superstition that a departed spirit might be trapped by its own reflection in the glass and would be unable to pass on to the other world. It also helped to keep the bodies cool in the summer months. Please Note: The Ghost Bus Tours take no responsibility for items left on the bus, personal items are carried at the owners risk and The Ghost Bus can take no responsibility for items damaged or lost. Smoking, eating and drinks other than bottled water are not permitted on the bus. There are no toilet facilities on the bus. The vehicle is a 1966 Routemaster and it has not been possible to make the entrance wheelchair accessible.
El tour de 2 horas por el Parque Nacional Everglades con delfines, observación de aves y vida silvestre es una aventura maravillosa para toda la familia y una excelente introducción de la zona. El tour en una lancha motora muy cómoda, será conducido con seguridad a través de las 10 mil islas de los Everglades. Dependiendo de la temporada, se pueden encontrar manatíes, delfines, tortugas marinas, águilas calvas, águilas pescadoras, garzas, garcetas, pelícanos, espátulas rosadas, así como numerosos tipos de peces. ¡No olvide la cámara!
Not only will you get a taste of New York film history, you'll receive a great sightseeing tour of Manhattan. By bus, we'll take you to neighborhoods rich with history, where some of the most iconic films of all time were made. King Kong top of Empire State Building NYCSee Columbus Circle, Lincoln Center and the Upper West Side, hop off at Zabar’s, the well-known market place, featured in You’ve Got Mail and the famous Dakota Building, home to Yoko Ono that can be seen in films like, Hannah and Her Sisters and Rosemary’s Baby. As you make your way to the Upper East Side, you’ll cross through Central Park, learning about dozens of films set here, including the very first motion picture made in New York City. The sights don’t end there, the tour continues down the east side of Manhattan where you’ll stop for a photo-op in front of Holly Golighty’s apartment from Breakfast at Tiffany’s before you discover hidden neighborhoods, like Sutton Place to experience a fantastic view of the Queensboro Bridge you’ll recognize from Woody Allen’s Manhattan. As you head downtown, you’ll pass locations that have set the scene for countless films, like the Plaza Hotel, FAO Schwarz, Tiffany’s, Rockefeller Center, the Empire State Building and much more before ending your journey at the famous Grand Central Terminal. TCM Classic Film Tour is the perfect escape for movie fans, but also a great way to see how much, and how little, Manhattan has changed. Why not combine your visit to TCM Classic Film Tour with other famous attractions and activities in New York such as the New York TV & Movie Sites Tour or Visit the popular Empire State Building
The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading. The Queen’s Gallery was opened by Her Majesty The Queen on 29 November 2002, as part of the Golden Jubilee celebrations. It hosts a programme of changing exhibitions from the Royal Collection.
Take a cruise with us around in Europe's largest natural harbour, home to the town of Poole, the golden beaches of Sandbanks and Brownsea Island. Your ticket includes: 70 minutes cruise around Poole Harbour Departure Pier - Poole Quay From either open deck seating or comfortable saloon you will see stunning views of the exceptional landscape that surrounds it. Your 70 minute trip will start on charming Poole Quay with its old buildings and buzzing atmosphere. Next you will go past Brownsea Island, home to wildlife and picturesque Brownsea Castle, built to protect against French invasions. After that comes the Sandbanks Peninsula and the luxurious houses of the ‘Golden Mile’. Then you will tour the great natural expanse of the harbour. Fronting onto beautiful scenery it helped inspire classics like Lord of the Rings. Important notice: Passengers can't disembark and embark at Brownsea Island. The cruise goes around Brownsea Island and won't stop at Brownsea Island.