New Orleans 1 Day Hop-On Hop-Off + The National World War II Museum

Discover this Medieval royal palace that became a revolutionary tribunal and Marie-Antoinette’s prison. The Conciergerie Discover on the Île de la Cité, the exceptional Gothic rooms of the first royal palace of Paris and the reproduction of the prison cells of the revolutionary tribunal. At the end of the 17th century, numerous people were imprisoned in the prison of the Conciergerie, including Marie-Antoinette. The Conciergerie is also listed as a historical building by the Unesco.  

The ‘Eat Street Markets’ are set on an old disused container wharf. Come and enjoy everything from aromatic international cuisines and boutique beers, to the enchanting sights and sounds of live performers.  Take a beautiful and leisurely ride around the twists and turns of the Brisbane River to experience Brisbane's best night food markets.  The tour starts and finishes at Southbank Parklands. This is a unique opportunity and a delightful way to spend a Friday or Saturday evening in Brisbane. The entire route is on bike paths with no cars, and no hills! An ample amount of time (approx 1 - 1.5 hours) is available for you to explore the markets and try out the different food, drink and entertainment options. We return to Southbank Parklands via a comfortable boat cruise along the Brisbane river and witness the city come alive from a unique perspective.   Your entry fee to the markets and river cruise is included in the ticket price. Any additional purchases are at your own expense.   Please note that this tour requires a minimum of two people for the tour to go ahead. 

A Gatronomic Discovery  CREATIVE CUISINE : Bustronome offers a highly worked and inventive cuisine. Specially invited grand chefs regularly offer new culinary experiences. A WORLD OF FLAVORS : Specially composed tasting menus offer between 4 and 6 courses. Dishes are combined with the most beautiful views  of Paris. MADE TO MEASURE : Amongst the specialities available on demand  are delicious French pastries such as one would find  in a traditional tea room. Delicious views of Paris A JOURNEY THROUGH THE MOST  BEAUTIFUL PLACES IN PARIS : From the panoramic terrace, passengers  can enjoy the most beautiful views of Paris,  including its squares, avenues and monuments. A CHIC, COSY ATMOSPHERE : With conviviality and sharing at the center  of the Bustronome experience, we do not, unless specifically requested, offer commentated tours. A 360° VIEW : The Bustronome stands out thanks to its  exceptional panoramic glass terrace, offering  striking views across the French capital.

Flight Path You will fly over some exquisite landscapes on your journey to Milford Sound. Depending on the flight route for the day, your sights may include; Skippers Canyon, Glenorchy, Mt Earnslaw, Mt Tutoko, Milford Sound, Mitre Peak, Arthur Valley, Sutherland Falls, the Milford Track, Lake Te Anau, Eglinton Valley, Greenstone Valley and Lake Wakatipu. Cruise Route Depart from the Milford Sound Wharf and make your way out past the iconic Mitre Peak. Cruise the length of the fiord while listening to informative commentary from our skipper who will highlight points of interest along the way including the mighty Bowen Falls, Lion Mountain, Copper Point, Seal Rock and Stirling Falls. Keep an eye out for local wildlife that can be found in the fiord, with sightings of New Zealand fur seals and dolphins spotted regularly, while occasionally the rare Fiordland Crested Penguin makes an appearance in Milford Sound.   What to bring: Waterproof Jacket Sunscreen Warm Clothing Insect Repellent 

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.