Cutty Sark

The day begins with a hotel pick-up between 06:15 and 07:00. Heading east across the San Francisco-Oakland Bay Bridge offers great views of the San Francisco skyline, Alcatraz Island, Fisherman's Wharf, and the Golden Gate Bridge. En Route to the park we cross through the Central Valley, where we will stop at a fruit stand for some local produce. Famous for its rich volcanic soil, the Central Valley is the largest agricultural region in the United States. The section we drive through is best known for specialty fruits and nuts such as almonds, walnuts, cherries, and strawberries. After this quick rest stop, we enter the rolling foothills of the Sierra Nevada. Continuing into the mountains brings us to California gold country and the gold rush town of Groveland before we wind our way into Yosemite National Park. Maps in hand, we begin with a one and a half hour in-coach narrated tour of Yosemite's glaciated valley. You will see famous waterfalls and rock formations including Yosemite Falls - the tallest waterfall in North America - El Capitan, Half Dome, Bridalveil Falls, Sentinel Dome, and much more. During the tour you will see Yosemite Valley from a number of great vantage points, the best of which is perhaps Inspiration Point. At 4,500 feet above sea level, this viewpoint gives you a commanding view east up the valley. Yosemite is a mecca for rock climbers, and the sight of people climbing El Capitan's 3,200 ft. (1000m) sheer rock face is quite amazing. Because of our small group size, we can incorporate multiple photo stops into our tour so you can better enjoy your time in the park. After the tour, we stop for the afternoon near the base of Yosemite Falls, where there are a variety of options for lunch (not included). After eating, you will have 3-4 hours of free time to explore the valley as you choose. You can walk to the base of Yosemite Falls, check out the visitor center, visit the Ansel Adams Gallery, stop in at the Ahwahnee Hotel, rent a cruiser bike, or hike some of the trails that originate from the valley. Although you could spend three weeks in Yosemite, the three hours you get on your own is enough time to understand why Yosemite is one of America's most popular national parks. Regrouping again in the late afternoon, we head for San Francisco, stopping for a short break before arriving back in the city and dropping you at your lodging between 8:30 and 9:00pm. Highlights: See El Capitan, Half Dome, Yosemite Falls, Bridalveil Falls, Inspiration Point (aka Tunnel View), and Yosemite Village Free time in Yosemite Valley to explore/hike Eco-friendly transport in biodiesel mini-coaches   Inclusions: Complimentary pickup/dropoff from your San Francisco hotel Full-time professional, knowledgeable guide Narrated in-coach tour of Yosemite (1.5 hrs) 3 hours of free time in the Valley Yosemite Park entrance fee Transportation to/from Yosemite in biofuel mini-coach ​ Not Included: Meals (stops will be made to purchase food) Guide gratuity (optional)   Gear List:  May-Oct: Camera & charger Small bag that can fit under seat Spending money for incidentals and lunch Sneakers or hiking boots Swimwear, towel, sandals (optional) Bug spray Sun protection Water bottle   Nov-Apr** - Additional items recommended are: Warm clothing, coat Knit hat, gloves **Winter temperatures in Yosemite are on average 50 F/10 C, but can be as low as 28 F/-2 C. 

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Get a taste of life on the ocean waves, including the chance to take the ship's wheel and learn how to steer 963 tons of Victorian tea clipper through storms and high seas Learn the story of one of the most famous and magnificent ships in the world Take in epic views of the London skyline.   Initially built for the China tea trade and launched in 1869, Cutty Sark’s original wooden planks and iron frames have been meticulously conserved. As part of an ambitious six-year conservation project, the ship was raised over three metres, giving visitors the unique opportunity to stand directly underneath this world wonder and see her elegant lines and ground-breaking design. It has now been developed into an  award-winning museum and visitor experience.   Located in the UNESCO World Heritage Site of Maritime Greenwich, the National Maritime Museum and the Queen’s House are both located within a short walking distance from Cutty Sark and are free to visit. The Royal Observatory is another must-see attraction when visiting Greenwich; it’s the home of Greenwich Mean Time and the Prime Meridian.

Free leaflets available in English, French, German, Spanish, Italian, Dutch and Polish. DINING / REFRESHMENTS Irish tea room offering tea, coffee, homemade scones and wonderful porter cake.   SHOPPING Gift shop selling souvenirs, books and craft items.  PARKING Free car and coach parking on-site. WHEELCHAIR ACCESS Partially wheelchair accessible but assistance would be required on rough paths and terrain and at exhibits. Accessible toilet available.      

This is the text for the Frequently Asked Questions that applies to this specific tour. (Q) Do tours run all year round? (A) Yes, from November to March we will run tours on a reduced schedule at 11am from Thursdays to Mondays, inclusive. Please see the tour page for full details. (Q) Where is the meeting point for the tour? (A) Directly outside Queensway tube station, which is on the central line (the red line cutting across the map from east to west). 15 minutes before the start of the tour, one of our guides will be standing by the red phone boxes holding a Fat Tyre sign. (Q) Is the tour difficult? (A) No. Most of the time is spent on bike lanes within the Royal Parks. There is a bit of road riding and a few crossings so a basic level of cycling proficiency is required. (Q) What happens if it rains? (A) We run tours rain or shine and have plenty of rain ponchos. We find tours in the rain to be a different kind of fun and an even more fun memory! If you have a reservation and the weather is really bad, you are welcome to reschedule the tour for any other day for up to year. (Q) Do we stop for lunch? (A) Yes. We usually stop near Trafalgar Square where there are plenty of options for lunch including to join your guide at a traditional English pub. Otherwise, we may stop in St James park next to a cafe. (Q) Where does the tour end? (A) Both tours finish at the same place they start. (Q) Do we go inside the sites? (A) No, the bike tours are an overview of the sites and more about getting a feel for the city. However, on private tours you can arrange to take extra time at the sites if you'd like to go inside. (Q) Will we be able to take photos? (A) Yes. There will be a chance to take many photos at the designated stops. (Q)Is there a space to store bags or luggage? (A)Yes. You are welcome to leave bags, luggage or unwanted family members in our garages. Someone is usually in the office and it will be locked up if they have to leave. While we have never had a single case of theft or loss of items, you do leave them at your own risk. (Q) Do you provide the bikes? (A) Absolutely. (Q) Can I supply my own bike? (A) You are welcome to bring your own bicycle. Our insurance only covers the theft of our own bicycles, so please do bring your own lock for the lunch stop. (Q) Can an adult ride on the tandem? (A) No. Our tandems are known as tag-alongs which attach to adult bikes and are designed for children up to about the age of five years old.. (Q) Are helmets provided? (A) Yes. You are not compelled by law to wear helmets in the UK, but we have more than enough for everyone so the choice is entirely yours.

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.