The Royal Mews - Buckingham Palace

Little Train of Paris Montmartre The Circuit:

Place Blanche Place du Tertre Place Constantin Pecqueur
Moulin Rouge Espace Dali La Halle et le Marché Saint-Pierre
Basilique du Sacré Coeur Musée Montmartre Anvers
Amphithéâtre / Arènes Le Lapin Agile Retour Place Blanche
Église Saint-Pierre Cimetière Saint-Vincent  

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading. The Queen’s Gallery was opened by Her Majesty The Queen on 29 November 2002, as part of the Golden Jubilee celebrations. It hosts a programme of changing exhibitions from the Royal Collection.

Pablo Picasso, Joan Miró, Antoni Tàpies, Romanesque, Gothic, Renaissance, modern and contemporary art. Painting, sculpture, silver and goldsmithing, photography, drawings, prints, posters, coins, exhibitions and audiovisuals. Enjoy six Barcelona museums with a single ticket: the Articket. The Museu Picasso brings you permanent and temporary exhibitions featuring works by Picasso, focusing on his formative years and relationship with Barcelona. The Fundació Joan Miró houses the finest and most comprehensive collection of Miró's works and also stages exhibitions of paintings and sculpture. The Fundació Antoni Tàpies is housed in a modernista building and hosts a wide range of exhibitions, lectures and cultural events. The Museu Nacional d'Art de Catalunya takes you on a journey through 1,000 years of Catalan art (modernisme, Romanesque...). And the Museu de Art Contemporani de Barcelona (MACBA), designed by Richard Meier, brings together an important collection of art from the last 50 years.

Titanic Belfast + SS Nomadic  The self-guided tour takes approximately 1.30 - 2 hours. Guided tour of Nomadic is 30 minutes. Your ticket for the Nomadic is valid on the day of your Titanic Belfast visit and the following day. Crumlin Road Gaol We recommend that you arrive at least 10 - 15 minutes prior to the tour time, to enable tickets to be checked. There is also a small museum collection and gift shop on site which you may want to explore.

We invite you to visit the Casa Batlló which has transcended the concept of a building to become a legendary icon of art, architecture and art nouveau. Here, light, colour and shapes interact with wood, glass, ceramics and quarried stone in Gaudí's characteristic fantastic and breathtaking style. Pick up your audioguide and begin your tour of 20 different points. You'll discover a whole host of details that are hard to spot at first glance, with metaphors and depictions of nature, particularly the undersea world, which will inspire and stimulate your senses and emotions. And if you prefer, you can hire the innovative augmented reality video guide which will take you to a magical world that is normally hidden from view. Both guides are available in 10 languages.  You'll visit the legendary mezzanine, where the Batlló family once lived; the attic, where the storerooms and laundries were located; the rooftop, with its iconic chimneys and the amazing light well which houses the staircase once used by the privileged neighbours. And you can't leave without seeing the magnificent hall and main staircase. You're sure to be impressed!

Rates do not include gratuity to drivers and/or guides.