Bosphorus Dinner Cruise with Turkish Night Show (Alcoholic Drinks)

Le Trésor de Noa (El Tesoro de Noa): el nuevo espectáculo adecuado tanto para niños como adultos La Ciudad Marina le está esperando para que descubra su memorable manada de delfines. Contemple los espectáculos diarios y comparta un momento tierno y cómplice con los delfines. Le Trésor de Noa (El Tesoro de Noa) es un cuento para aprender las características de los delfines de una forma divertida (su anatomía, su comportamiento, cómo cazan, su vida en grupo...). Giros, saltos y efectos especiales se suman para ilustrar mejor la historia de Noa, la joven exploradora. Observe sus sesiones de juego en ciertos momentos del día. Luego aprofundice su visita pasando por una galería subacuática de 100 metros de largo, que ofrece unas vistas impresionantes de los delfines. Siga con la aventura pasando a través del puente de la jungla, situado a una altura de 6 metros y que mide 250 m de largo, mientras va en busca de una tribu de macacos que conviven con cerdos vietnamitas… Finalmente, descubre el nuevo Le Chemin de Brousse (El Camino del Arbusto): Esta ruta africana conocida como "Planeta Salvaje" le permite observar animales típicos e icónicos (suricatas, cálaos, grullas, ibis, dik-dik ...) en grandes áreas mientras cruza el puente de madera. El recorrido continúa con una visita a la Villa Africana, disfrute de sus cuentacuentos y de la percusión en cabañas (sólo en verano) y también encontrará jardines, animales domésticos y salas con reptiles. Luego saldrá del continente para visitar la hermosa isla de Madagascar, donde podrá observar a lémures moviéndose libremente entre los visitantes. Finalmente, la ruta le ofrece una experiencia única, ya que el camino le lleva a un mirador donde podrá observar rinocerontes, jirafas y antílopes.

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The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.  

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The safety of our guests and sea lions is our number one priority. Here are a few key rules to make sure everyone (including our sea lions) have a great time! Jewellery, watches, hair accessories, hats, sunglasses and loose articles are not permitted in the water. We provide all guests with a wet suit for their interaction; you will wear your swim suit underneath. All guests are required to wear a wet suit during their programme. For the safety of our animals, we cannot allow you to wear your personal wet suits. Cameras are not allowed in the water. However, we do provide a photographer throughout the interaction. Please know that your scheduled time is for the mandatory check-in and not for the interaction itself. It is very important you arrive at your scheduled time. We are not able to provide a refund or reschedule you if you do not arrive on time.