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The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.
We invite you to visit the Casa Batlló which has transcended the concept of a building to become a legendary icon of art, architecture and art nouveau. Here, light, colour and shapes interact with wood, glass, ceramics and quarried stone in Gaudí's characteristic fantastic and breathtaking style. Pick up your audioguide and begin your tour of 20 different points. You'll discover a whole host of details that are hard to spot at first glance, with metaphors and depictions of nature, particularly the undersea world, which will inspire and stimulate your senses and emotions. And if you prefer, you can hire the innovative augmented reality video guide which will take you to a magical world that is normally hidden from view. Both guides are available in 10 languages. You'll visit the legendary mezzanine, where the Batlló family once lived; the attic, where the storerooms and laundries were located; the rooftop, with its iconic chimneys and the amazing light well which houses the staircase once used by the privileged neighbours. And you can't leave without seeing the magnificent hall and main staircase. You're sure to be impressed!
Montserrat Start your full day trip from Barcelona in a comfortable Bus to the mountain of Montserrat which rises majestically to 4,051 feet (1,236 meter) above sea level. The rocks of Montserrat were formed by natural cement of sand during the centuries. The wind and rain shaped the mountain with strange and varied forms. The popular imagination has seen human or animal shapes in some of these peaks, giving those names and inventing legends to explain their fantastic origins. This trip to Montserrat will give you the opportunity to enjoy the wonderful and breathtaking views of the Montserrat Mountain, one of nature’s special creations. You will visit the Royal Basilica of Montserrat, which holds the famous 12th century Romanesque carving of Verge Moreneta (the Black Madonna). You will be able to see this famous statue of the Black Madonna from a distance. The Benedict sanctuary of Montserrat has been founded in 1025 and provides a mystical backdrop for the Virgin of Montserrat, the patron saint of Catalonia who is enshrined in the monastery's Royal Basilica. The little monastery soon began to receive pilgrims and visitors who contributed to the spread of stories of miracles and wonders performed by the Virgin. Today, Montserrat has been modernized to continue attending to the needs to pilgrims, one thousand years after it was originally founded. You will be given some free time to visit the audio visual exhibition about the history and creation of Montserrat. And taste typical liquors of Montserrat. The Escolania of Montserrat is one of the oldest boys choirs in Europe (XIV Century). On some days the children's choir sings in the monastery and so you may be fortunate enough to catch one of their delightful performances. Their timeframe is subjected to the school calendar and special events of the choir and monastery. Our tour to Montserrat will finish in our office at Balmes 5, downtown, where the second part of the tour departs. Artistic Barcelona* Barcelona is known as the capital of Modernism and the place where the famous architect Antoni Gaudí worked and lived. Gaudi, one of the greatest innovators of his time, has left behind numerous treasures for the discerning tourist to discover in Barcelona. This Artistic Tour of Barcelona starts at the Julia Travel Office (Balmes 5), we will take you to the Sagrada Familia (Holy Family) Basilica, Gaudi's unfinished masterpiece which is Barcelona's most famous landmark. The guide will take you on a walking tour of the exterior of the Sagrada Familia, to admire the richly and symbolically decorated facades, where vaults reach up to seventy meters. Next you will discover Gaudi's bizarre Park Güell which has been declared a UNESCO World Heritage Site. Be careful, it's easy to get lost in the whimsical design of this bizarre but compelling public park with a perfect integration of the architectural elements in nature. Our tour continues to Passeig de Gràcia to see Gaudi's famous apartment buildings like Casa Mila “La Pedrera”, Casa Batlló and others modernist buildings. Please Note: Departure at 03:30PM. Check in at 03:15PM in Julià Travel Office, c/Balmes 5 *From 1ST of November to 31st of March we will visit the Park Güell before than Sagrada Familia.
Highlights Explore a UNESCO World Heritage Site to two sister cities: Pompeii and Herculaneum on this tour from Naples. Learn and walk around the fascinating ancient ruins of Pompeii. Wonder around Herculaneum, an ancient Roman town better preserved than Pompeii. This tour provides a great representation of what life was like in the first century. Taste delicious regional cuisine on your way to the sites with lunch prices included . Roundtrip transfers between Naples, Pompeii, Herculaneum and back in a comfortable coach Ticket Includes Coach transfers to and from Naples aboard a coach Services of a tour leader/tour assistant Lunch (excluding beverages) Ticket Excludes Pompeii Entrance Tickets Herculaneum Entrance Tickets Food and Drinks (apart from lunch)
Explore the National Mall and experience the joy and freedom of riding the most unique vehicle created.
After learning how to ride your Segway, you’ll roll right up the center of Pennsylvania Avenue, glide to the monuments and memorials on the National Mall, and visit some fun off-the-mall spots along the way.
On this tour, you will see: US Capital Building, Library of Congress, Supreme Court, Smithsonian Castle and several Smithsonian museums, Washington Monument, WWII Memorial, Korean War Veterans Memorial, Vietnam Veterans Memorial, and the Lincoln Memorial, the White House and more.
Inclusions: Guided tour includes Segway, helmet, snack, and bottled water
NOT included: Gratuities
Participants must be 16 years or old. Weight minimum is 100lbs, maximum 260 lbs.
The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading. The Queen’s Gallery was opened by Her Majesty The Queen on 29 November 2002, as part of the Golden Jubilee celebrations. It hosts a programme of changing exhibitions from the Royal Collection.