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Winner of over 50 major awards including a Grammy Award and three Tony Awards®, WICKED is the untold story of the witches of Oz. Long before Dorothy drops in, two other girls meet in the land of Oz. One, born with emerald-green skin, is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. WICKED tells the story of their remarkable odyssey, how these two unlikely friends grow to become the Wicked Witch of the West and Glinda the Good. Declared "The Best Musical of the Decade" by Entertainment Weekly and "A Cultural Phenomenon" by Variety, WICKED is based on the novel by Gregory Maguire, has music and lyrics by Stephen Schwartz, and a book by Winnie Holzman. Recommended age for children is 8 and up. No children under 5 admitted. Running time for the show is 2 hours and 30 minutes, plus a 15-minute intermission.
What if it rains? Handa Opera on Sydney Harbour is an open-air and all-weather event The venue, audience seating, and the stage are completely uncovered. The event is an all-weather experience and Opera Australia is committed to going ahead with a performance of Handa Opera on Sydney Harbour even in doubtful or unfavourable weather conditions. Please come prepared so that you are as comfortable as possible, and ready to support the performers, who will carry on singing in the rain. Bring warm and waterproof clothing Sydney weather is full of surprises so we recommend that you dress with this in mind and bring warm, weatherproof clothing. Please note that although umbrellas can be brought to the venue, out of consideration for other members of the audience they cannot be used during the performance. Ponchos Ponchos will be available to purchase at the event for $5.00. We'll be selling the Biowear Eco Poncho. Made of corn, soy, and sunflower starches, these ponchos are biodegradable. Once disposed of, the poncho takes about a year to break down and become a protein of the ecosystem. We'll be donating any profit from the sale of ponchos to Clean Up Australia. Performance pauses and cancellations We will only cancel a performance during electrical storms (within 10km radius) or during times of extremely high winds and/or rain. The decision to cancel a performance is not made until 19.30 or later and a cancellation may be called during the performance. So please plan to travel to the venue for a 19.30 performance start time even in unfavourable weather conditions. In some weather conditions La Bohème may have a delayed start time or be paused for up to 50 minutes at any point throughout the performance. Auxiliary expenses including travel, accommodation or hospitality which you have arranged in conjunction with the performance are at your own risk and not refundable by Opera Australia. What do I wear? The weather is full of surprises so we recommend that you dress with this in mind and bring warm, weatherproof clothing. Please note that although umbrellas can be brought to the venue, out of consideration for other members of the audience they cannot be used during the performance. Are there subtitles? La Bohème is sung in Italian with English and Simplified Chinese subtitles. Can I purchase food and drinks at the venue? A range of food and beverages will be available at the venue from 17.00 and menus will be available closer to the date.
Werther loves with thrilling intensity. But passion blooms into a dangerous obsession when the young poet discovers his love can never be realised. Goethe’s powerful novel, The Sorrows of Young Werther, moved the world upon its release in 1774. Young men cried their anguish into tiny glass vials and carried around their tears to prove the depth of their emotions. They wore the poet’s signature clothes, and a few lovelorn souls even followed his path, seeking death over a life without love. In the ultimate Romantic opera, Massenet’s rich score magnifies the drama and emotion of the story. Werther falls hopelessly in love with Charlotte in lyrical, melodious phrases. As Charlotte chooses duty over heart, Werther’s turmoil is palpable in restless music that bursts out of an enormous orchestra. The French composer’s ability to evoke mood and moment in music is on brilliant display. Any tenor that can master the psychological range and musical difficulty of Werther is guaranteed a new signature role. Young star, Michael Fabiano, is renowned for his intense, character-driven performances. Hear his role debut as the troubled poet, with acclaimed mezzo-soprano Elena Maximova as Charlotte and Carlo Montanaro as conductor.
Ganador de más de 50 permios incluyendo un Grammy Award y 3 Tony Awards®, WICKED es la historia jamás contada de las brujas de Oz. Mucho tiempo antes de que llegara Dorothy, dos otras chicas se conocieron el la Tierra de Oz. Una de ellas nació con la piel de color verde-esmeralda, y era inteligente, apasionada e incomprendida. La otra chica era bonita y muy popular. WICKED cuenta la historia de su extraordinaria odisea, cómo estas dos amigas crecen para convertirse en la bruja mala del Oeste y en la buena. Declarado como "el mejor musical de la década" por Entertainment Weekly y "Un fenómeno cultural" por Variety, WICKED está basado en la novela de Gregory Maguire, con música y letras de Stephen Schwartz, y un libreo de Winnie Holzman. Plano de asientos: The Gershwin Theatre Duración: 2 horas y 45 minutos, incluyendo un descanso de 15 minutos. Recomendado para: niños mayores de 8 años. Los niños menores de 5 años no podrán entrar al teatro. Acceso para personas discapacitadas: sí Asistencia auditiva: sí Baños en el nivel "orchestra" Aire acondicionado
Wozzeck is running, always running, with his shadow in pursuit. He is poor, and he is weary. He is used, and used up. He is a brute, ruled by brutes. And now his mind is imploding. Berg’s fascinating opera is a portrait of a ravaged man, drawn with vivid clarity through unsettling music and sharp, structured scenes. One of the most exciting visual artists of our generation, William Kentridge, directs and illustrates this extraordinary production, a collaboration between Opera Australia, the Metropolitan Opera, Salzburg Festival and the Canadian Opera Company. Kentridge’s haunting illustrations offer a window into the carnage of Wozzeck’s world. Charcoal drawings fill the stage, frenetic scribbles are illuminated and then erased, as we wonder, with Wozzeck, what is real. At its Salzburg premiere, The New York Times recorded the audience “seemed stunned at the end, yet grateful”. The Telegraphcalled it “completely enthralling ★★★★★”, the Financial Times labelled it “a breathtaking reassessment of Berg’s masterpiece… a work of art across many genres.” Ticket Includes Show Ticket Ticket Excludes Food and Drinks