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The Royal Pavilion started as a modest 18th century lodging house. Architect Henry Holland helped George, Prince of Wales, transform his humble seaside retreat into a handsome neo-classical villa – known as the Marine Pavilion. In 1815 George, by now Prince Regent, hired the eminent architect John Nash, to redesign the building in the Indian style. The work was completed in 1823 by which time George had become King. It is this building, an instantly recognisable symbol of Brighton, which we see today. Why visit the Royal Pavilion? We're a former Royal Palace right in the city centre, surrounded by the beautiful Royal Pavilion Gardens. We have audio guides in many languages, a fabulous Tearoom and well stocked gift shop. There's loads to do nearby and we're only a 5 min walk from the beach, so why not make a day of it?
All the tables are situated next to the picture windows to allow everyone to enjoy Paris with all modern conveniences. All their boats have an open deck, which affords a magical, all-round view of the City of Light. Cruise commented in up to 10 languages* Free itinerary translated in 25 languages Boats with an open upper deck 1h10 mns cruise * Languages: French, English, Spanish, Italian, german, russian, chinese, japonese, corean. Bus Tour Pass for 1 4 lines, 50 stops and more than 100 sights Hop-on, hop-off as you wish Audio guide available in 10 languages* Stories and tales of Paris for children (in french, english and espagnol) Free Wifi Click here to view The Map and The Timetable
The Queen’s Gallery en el Palacio de Buckingham es una galería permanente dedicada a exposiciones temporales de objetos de la Colección Real, la gran colección de arte que la reina mantiene en fideicomiso para la nación. En octubre de 1875, el Príncipe de Gales inició un recorrido de cuatro meses por el Subcontinente Indio, visitando más de 21 localidades, como Sri Lanka, Pakistán y Nepal que hoy en día forman parte de la India. Esta exposición cuenta la historia del gran tour a través de algunos de los mejores tesoros de la India que el Príncipe de Gales presenció. La entrada incluye Acceso a The Queen's Gallery Tour multimedia gratuito Exposición actual* * Fechas Exposiciones Especiales: 9 de nov. 2018 - 28 abr. 2019: 'Rusia, Realeza y los Romanov' y 'Fotografías de Roger Fenton de la guerra de Crimea, 1855' 24 de may. - 13 de oct. 2019: 'Leonardo da Vinci: Una vida en el dibujo'. Para conmemorar el 500 aniversario de la muerte de Da Vinci, esta exposición incluirá 200 de sus dibujos 15 de nov. 2019 - 4 de may. 2020: 'Jorge IV: Arte y espectáculo' Tenga en cuenta: The Queen's Gallery estará cerrada entre estas exposiciones especiales. ¿Por qué no combinar sus entradas con una visita al London Eye, The Original Tour o Palacio de Hampton Court?
Important Information Open from 10:00am to 5:00pm. Last admission is 4:00pm Duration approx. 90 mins Please be advised that heels smaller than a 2p cannot be worn onboard. Address: Alexandra Dock, Queens Rd, Belfast BT3 9DT Voucher to be exchanged at the above address. Not valid for special ticketed events. HMS Caroline is closed on 24, 25 and 26 December.
Edge Zones Edge Zone 1 - 1945 - 1962 The Anglo-American special relationship of the Second World War triggered an evolution of musical trends in Britain. Big band music became popular through visiting GIs and the revived sounds of Dixieland and New Orleans trad jazz were introduced into the London scene. The do-it-yourself creed of 1950s skiffle encouraged young musicians to pick up cheap guitars and start their own groups. British pop was transformed by the rock'n'roll craze in the mid 1950s. Edge Zone 2 - 1962 - 1966 In the 1960s, British music went global with the irresistible tide of the 'British Invasion'. The original look and sound of beat groups like The Beatles, R&B bands like The Rolling Stones and female singers like Petula Clark took America by storm and Britain became known as a pop powehouse. Edge Zone 3 - 1966 - 1970 British pop became increasingly involved in cultural exchanges with underground political activity, fashion, art and drugs. Inspired by the 1967 'Summer of Love' in San Francisco, Britain began to stage their own 'love-ins' and 'happenings', with themes of peace and love becoming the inspiration for music in this period. The 12" album toook centre stage and pop evolved into rock as music broke out of the small clubs onto the arena circuit and emerging festival scene. Edge Zone 4 - 1970 - 1975 In contrast to the tough social and economic crisis of 1970s Britain, the charts began to fill with performers singing of escapism, glamour and excitement. A darker vision of 1970s Britain soon appeared through albums like the post-apocalyptic Diamond Dogs by David Bowie and progressive rock flourished. The music industry expanded and audiences sought entertainment, making sell-out arena tours the pinnacle for any successful artist. Edge Zone 5 - 1975 - 1985 This was a period of economic recession in Britain. Pop music reflected this with tougher, more outspoken styles. Punk dramatised Britain's social divisions, while the grassroots Rock Against Racism movement popularised reggae and brought a return to political involvement. Edge Zone 6 - 1985 - 1993 The mid-to-late 1980s was a time of accelerated social, economic, technical and political change. Videos, CDs and satellite broadcasting meant that music was more accessible to the masses. The late 1980s were also a time of regional and musical diversity. Heavy metal was reborn, imported house music reached ecstatic heights with the 'Second Summer of Love' and the 'Madchester' scene was blossoming in the North. Edge Zone 7 - 1993 - 2004 In the mid-1990s, 'Cool Britannia' swept through all areas of British identity. Britpop revived the traditional pop values of the 60s and 70s. The period also saw the rise of manufactured boy bands and The Spice Girls unleashed 'Girl Power' on the world. The rise of Youtube and streaming gave audiences new ways to access music. It presented artists with unchartered waters in the form of new channels emerging to promote their music. Edge Zone 8 - 2004 - Present 2004 saw the launch of X Factor. The manufacturing of pop stars by UK audiences is balanced by the diversity of artists rising to the top of the charts. Rap and R&B stars, indie bands and singer-songwriters take the download chart by storm. The Future It is impossible to predict the future of British music. Who will be the next superstar? how will we listen to music in 2025? Whatever the future, one thing we can be sure of is that the intimate relationship between music and the fan will always continue to transcend any technological, cultural or social barriers. No photography is allowed in the the exhibition.
Galardonada como Atracción del año por los visitantes El centro de visitantes de Jameson acoge a más de 360.000 visitantes cada año y proporciona una experiencia de talla mundial dedicada al whisky irlandés. La destilería fue fundada en 1780 cuando John Jameson estableció la destilería en Bow Street (Dublín). El whisky Jameson ahora se destila en Cork, aunque aún se embotella en Dublín. Con unas ventas anuales de más de 31 millones de botellas, Jameson es el whisky irlandés más vendido en el mundo. En la destilería Jameson de Bow St. no solo hay un bar, hay tres para homenajear al gran hombre que fue John Jameson. Cuando esté en el bar Jameson ¿por qué no prueba algunos de los néctares que se ofrecen? Disfrute de una degustación de whisky, donde esta marca insigne se compara con otras marcas internacionales. Aquellos que ya estén familiarizados con el whisky Jameson pueden optar por una cata de whisky reserva Jameson. Jueves - domingo por la tarde puede estar muy concurrido, así que puede haber largas colas