Jameson Distillery Bow St.

Super Saver Offer! Visit The View from the Shard for just ! Visit Dates: choose any date until Thursday February 28th, 2019 Highlights: Unrivalled 360 degree panoramic views, stretching over 40 miles across Greater London Spot many of the city's iconic sights including St Paul's Cathedral, Tower of London & the River Thames Experience Western Europe's highest viewing platform standing at 310 metres high Astonishing 'open-air' skydeck, feel the breeze and hear the subtle sounds of the city below. Informative digital telescopes taking you through the Capital's past, present - both day and night Unlimited dwell time - enjoy the views at your own pace Ticket Includes: Instant ticket delivery. Print your voucher and show it at The View from The Shard box office. Why visit The View from The Shard? The Shard is an iconic, landmark building on the London skyline, designed by Master Architect Renzo Piano. At a height of 1,016ft (310 m), the tallest building in Western Europe, the Shard redefines London's skyline and will be a dynamic symbol of London, recognisable throughout the world. The View is situated at the top of The Shard, on floors 68, 69 and 72, and almost twice the height of any other viewing platform in London. Prepare to embark on a multi-sensory journey to 244 m (800ft) above of one of the greatest cities on earth. On arrival at Level 00, you will be drawn into the tapestry of London with glimpses of the city laid out before you. Travelling skyward in two high-speed ‘kaleidoscopic' lifts, you'll swiftly reach Level 68 - a cloudscape above the world. Then journey to Level 69 where the view is revealed and London opens out before you. Here, in the sky above London, you'll experience an astonishing 360 degree, 64 km (40 mile) view over the city and beyond where the past, present and future of London will be unfurled beneath you, brought to life in multimedia displays. For the best view in town, ascend to Level 72, at 244 m, the highest public level of The Shard. You'll be exposed to the elements with sounds of the city around you. Looking up, you'll see the shards of glass that form the top of this skyscraper as they disappear upwards into the sky. Click here to view the sunset times in London   PLEASE NOTE:
Failure to present the voucher at The Shard will result in you being denied entry. Children must be accompanied by an adult. Why not combine your visit to The Shard with other famous attractions and activities in London such as Tower Bridge or the nearby Top Horror Attraction in the World winner; London Bridge & Tombs?

Celebrate DCINY's Ode to Joy: Beethoven's Symphony No. 9 and Choral Fantasy this holiday season with tickets at great prices from ShowTickets.com.

The tour is fully interactive and suitable for beer lovers and history lovers alike. The tour begins in 1231, long before John Smithwick ever set foot in the city. Walk the echoing halls in the Abbey of St. Francis, where clever monks found a way of purifying the deadly water that coursed through their land. Using the natural ingredients which grow in abundance near the abbey, they purified water from the local well by crafting it into ale. From the moment you step into the Cole House, five generations of Smithwicks illuminate their story of unwavering endurance and unbeatable ingenuity through photos, portraits, letters and lively conversation. Cosy up by the fireplace and learn how one family turned a humble Kilkenny ale into a brew famous the world over! In the Brewhouse you will learn about perfecting the art of mixing four simple ingredients to produce a ruby red ale enjoyed all over the world. But that doesn't mean we are resting on our laurels. We are constantly innovating, and in the Brewhouse you'll discover just what gives our ruby ale its unique character and flavour. After an exciting trip back in time it is time for a rest pint! The perfect place to judge a pint of Smithwick's? A tasting room, of course. The distinctive taste of our ale, characterised by its fruity aroma and delicate notes, has been winning us awards since 1892. Each glass of our ale contains generations of tradition, experience and uncompromised quality. When you decide your pint has just the right appearance, aroma, taste and mouthfeel, sit back and enjoy the flavour that has made Smithwick's Ireland's favourite ale!    

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.