KidZania London - Peak-Flexi Ticket

Silhouette:Jumpsuits; Hemline / Train:Floor Length; Closure:Zipper UP; Built-In Bra:Yes; Embellishment:Ruffles,Appliques; Fabric:Stretch Fabric,Velvet; Sleeve Length:Long Sleeve; Tips:Professional dry cleaner only,Colors may vary slightly due to different monitor settings; Boning:Yes; Style:Elegant,Minimalist; Occasion:Wedding Guest,Formal Evening; Neckline:Boat Neck; Front page:Evening Dresses; Listing Date:12/09/2021; Bust:; Hips:; Hollow to Floor:; Waist:

Beneath desire, depravity. Beneath lust, bloodlust. Beneath the veils, everything is laid bare. In King Herod’s lurid fantasies, lust has no boundaries and desire no limits. Even his own stepdaughter tempts him, taunts him: Salome, the virgin seductress, an innocent with a taste for blood. Strauss’ taboo-breaking opera strips back Oscar Wilde’s play to its core: a gripping journey to the outer edges of human behaviour. The music is at once ravishing and repellent. Strauss augments an enormous orchestra with organ, harps and celestas. The effect is a web of exotic melodies, enticing rhythms and intriguing dissonance, famously on display in the ‘Dance of the Seven Veils’. Heard live, it is an unforgettable experience. Lise Lindstrom is riveting as Salome, finding fragility and nuance in a role that demands a powerhouse voice and gifted actress.

Highlights These combination tickets allow you the luxury of taking your time to explore all of the fun at the Dreamworld Theme Park, WhiteWater World water park and SkyPoint Observation Deck Australia’s largest theme park, Dreamworld  The world’s tallest free-falling ride, be propelled from zero to 161 kilometres p/h, and even challenge gravity 15 storeys above the ground on the Big 9 Thrill Rides Immerse yourself in traditional Indigenous Australian culture and wildlife at Dreamworld Corroboree Make a splash on the Log Ride or drive back in time in Dreamworld’s iconic Vintage Cars Meet loved television characters Hoot and Hootabelle, and Dorothy the Dinosaur at ABC KIDS WORLD Ticket Includes The 7 Day ticket gives you unlimited entry to Dreamworld, WhiteWater World and SkyPoint  Ticket Excludes Food and Drinks

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.  

Silhouette:Mermaid / Trumpet; Hemline / Train:Sweep / Brush Train; Closure:Zipper UP; Built-In Bra:Yes; Embellishment:Criss Cross; Fabric:Stretch Fabric; Sleeve Length:3/4 Length Sleeve; Tips:Professional dry cleaner only,Colors may vary slightly due to different monitor settings; Boning:Yes; Style:Celebrity Style,Elegant; Occasion:Formal Evening,Engagement; Neckline:Off Shoulder; Front page:Evening Dresses; Listing Date:10/20/2021; Bust:; Hips:; Hollow to Floor:; Waist: