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" This show is the story of my life, things I have experienced, seen and loved. And also stories that I have never told before! I will tackle new issues such as plastic surgery and the creatures it spawns, or the vanity fair of social media. All that has been an inspiration for a number of new costumes. Clothes can say so much about their time, the way we relate to femininity and masculinity, sexuality, about what we consider different and where the limits of society are." Jean Paul Gaultier.
Please note: this production contains strong language and adult themes; not recommended for children under the age of 12. Performed in English. Handa Opera in Sydney Harbour has wheelchair locations, companion seats and level access seats available. Wheelchair Accessible Seats Customers requiring the wheelchair and/or companion seating should contact the Opera Australia customer service team on +61 2 9318 8200, Monday–Friday, 9am–5pm. On arrival at the venue, customers requiring a wheelchair should make contact with the onsite Box Office to make arrangements for a transfer to the seating by wheelchair. Level Access Seats The best seats for mobility impaired audience members (who are not bound to a wheelchair) are in the first 5 rows of sections A–E. When patrons take the 'Entry to seating section A–E' their entrance will be downhill to their seats in row 1 and then up a few stairs to seats in higher rows. On their way out of the venue, the path is uphill and mobility impaired patrons should consider requesting the use of a Handa Opera on Sydney Harbour wheelchair and assistance in exiting the venue.
A Magritte, a van Gogh and a Goya walk into a gallery… If Rossini made a showreel of his best work, it would sound like Il Viaggio a Reims (The Journey to Reims). The prolific composer was unabashedly showing off when he wrote this incredible work, destined to dazzle the aristocracy at the crowning of Charles X and then disappear forever. The simple plot is a marvellous excuse for a string of fantastic arias and impressive ensemble pieces. Because it’s so demanding and expensive to stage, it’s never been seen in Australia before. But in 2019, Rossini’s exultant opera finally makes its Australian premiere, a spectacular vehicle for some of your favourite performers. In Damiano Michieletto’s playful take, the eccentric cast of characters find themselves in a gallery filled with the master works of art history. Velázquez’s enormous dresses jostle for space with Keith Haring’s cheerful murals. Frida Kahlo and van Gogh compare self-portraits. It’s a surreal world, where artworks step out of the frame and come to life the moment the lights go out. Delightful, surprising, spectacular and frivolous, this co-production with Dutch National Opera and the Royal Danish Theatre is a perfect foil for Rossini’s jubilant score. Gaze at the world’s most famous art through the magnificent (and thoroughly tongue-in-cheek) sets and costumes. Paolo Fantin and Carla Teti have recreated iconic works with remarkable fidelity. Young Australian conductor Daniel Smith makes his long-awaited debut with Opera Australia, bringing his characteristic sparkle in the pit to a huge cast of talents. Sung in Italian with English subtitles.
El paseo es totalmente cargado con la mejor calidad de audio, vídeo y tecnología inalámbrica para amplificar lo que está sucediendo a bordo mientras se mantiene conectado con lo que está pasando afuera. De los artistas a los transeúntes, EL PASEO interactúa con todo el mundo y todo lo que rueda por! El vehículo más grande permitidos en las calles, el entrenador PASEO es de 45 pies de largo, 14 pies de alto y 8 pies de ancho. Un diseño personalizado y construido asientos tipo estadio con capacidad para 49 pasajeros cómodamente, y permitiendo una visualización óptima de las calles de la ciudad de Nueva York. 40 monitores a bordo de vehículos de plasma, 3.000 luces LED y cinco matrices de LED exteriores mantienen jinetes inmersos en el rendimiento y complementar la acción en la calle. Un sistema de sonido envolvente interior, sistema de altavoces externos, y el sistema de micrófono inalámbrico unifican la producción, por lo que la parte de la ciudad del espectáculo y poner el espectáculo en la ciudad. Cada vehículo contiene nueve toneladas de capacidad de HVAC - eso es suficiente para calentar o enfriar nueve casas suburbanas! Y con la tecnología baja-agitador, el paseo ofrece la mejor simulación de metro de la ciudad! Horario de apertura EL PASEO taquilla está abierta 10,00 a 20,00 de lunes a sábado y de 10,00 a 17,00 Domingo. Información de entradas Para redimir, llevar el cupón en la taquilla, ubicada en 234 W. 42nd St. en el vestíbulo del museo Madame Tussauds Museo de Cera de entre 7 y 8 avenidas, por lo menos 30 minutos antes de su hora de salida. Todos los paseos salen puntualmente a las tiempo de actuación de la calle 42 y la 8 ª Avenida. Las formas de línea en frente de Chevy Mexican Restaurant; buscar empleados "The Ride" en las camisas de color naranja brillante. Google Translate for Business:Translator ToolkitWebsite TranslatorGlobal Market Finder
Crazy Horse Paris presents its anti-crisis, anti-blues, anti-gloom remedy: its new show Totally Crazy ! Beginning April 2017, Crazy Horse Paris invites Parisians and lovers of Paris to escape their everyday worries in order to freely immerse themselves in 65 years of dazzling creation and “crazyness” packed into 90 enchanting minutes of its new show Totally Crazy. Under the artistic direction of Andrée Deissenberg, Chief Creative Officer of Crazy Horse Paris, and directed by Stéphane Jarny ("The Voice", "Saturday Night Fever"), Totally Crazy unites in one dazzling show the most iconic acts of the famous Parisian cabaret, tweaked with a dash of impertinence, with must-see performances by the legendary creators that have revolutionized the world-renown Parisian stage over these past ten years. "Crazy Premium" include: The Show 1/2 bottle of champagne millesime Assortment of canapes Why not combine your visit to Crazy Horse Delices Millesime with other famous attractions and activities in Paris such as a view from Montparnasse Tower or a Paris Museum Pass
Beneath desire, depravity. Beneath lust, bloodlust. Beneath the veils, everything is laid bare. In King Herod’s lurid fantasies, lust has no boundaries and desire no limits. Even his own stepdaughter tempts him, taunts him: Salome, the virgin seductress, an innocent with a taste for blood. Strauss’ taboo-breaking opera strips back Oscar Wilde’s play to its core: a gripping journey to the outer edges of human behaviour. The music is at once ravishing and repellent. Strauss augments an enormous orchestra with organ, harps and celestas. The effect is a web of exotic melodies, enticing rhythms and intriguing dissonance, famously on display in the ‘Dance of the Seven Veils’. Heard live, it is an unforgettable experience. Lise Lindstrom is riveting as Salome, finding fragility and nuance in a role that demands a powerhouse voice and gifted actress.