Barcelona Artística - Lo mejor de Gaudí + Sagrada Familia

Catch one of the most famous voices of our time during her new Las Vegas show The XPerience with tickets from ShowTickets.com.

Exhibitions: Bergerac's Island - Jersey in the 1980's The 1980s were a decade of people power and individuality. World-changing events were led by public opinion and the need to change an unfair world. The most momentous of these changes was the fall of the Berlin Wall in 1989, reuniting a divided Germany. International protests and campaigns led to the eventual release of anti-apartheid campaigner Nelson Mandela. The world was changing and people became much more aware of the need to look after it. This exhibition looks at how we felt about what was happening in the world and Jersey in the 1980s. Storymakers - Where people make history (27 May - 31 Dec) This new community exhibition celebrates people's passion for the past and the ways in which they engage with Jersey’s heritage. Whether that is making a pilgrimage to Elizabeth Castle on St Helier's Day or taking part in a re-enactment of the Battle of Jersey in the Royal Square Facilities and Access Entrance and parking: Located at the Weighbridge St Helier near the Royal Yacht Hotel. No on-site car park but parking for cyclists. Public parking in Pier Road. Buses and cycle routes: Any bus to Liberation Station.  Follow any cycle route for St Helier Refreshments: The Merchant House Brasserie is at the entrance to the museum to make a reservation call +44 (0) 1534 510069. Gift Shop: The Jersey Heritage gift shop, selling gifts and souvenirs relating to the collection and Genuine Jersey products, the gift shop is located at the museum and is open to both visitors and passers by. Access arrangements: Disabled access to all floors Dogs: No dogs allowed, except Guide Dogs Hearing loop available at reception and a portable hearing loop is available for groups if requested in advance

If you want to see the Grand Canyon from all of the best spots arrive in style and learn from some of the best guides in the countryaEURthen this tour is it.

Esta excursión VIP por South Rim en el Parque Nacional del Gran Cañón de la compañía Adventure Photo Tours le llevará desde Las Vegas a la zona más famosa del Gran Cañón, lugares desde los cuales podrá ver las partes más anchas y profundas del Gran Cañón. Las paradas para sacar fotos incluyen la presa de Hoover, el museo de la Ruta 66, y el parque de la locomotora. En la orilla sur, las paradas incluyen Mather Point, Yavapai Point y Bright Angel Point con tiempo libre para pasear por Bright Angel Lodge y las tienda de regalos. Pasará 3 horas en el Parque Nacional, y tendrá la opción de pasear por la ruta más bonita del mundo, en la cual podrá disfrutar de un picnic y un paseo de 4 km, desde Mather Point a Yavapai Point, y luego a Bright Angel Point. Si lo prefiere, puede quedarse con el guía turístico y viajar a los puntos de interés en nuestros vehículos de lujo: con capacidad para 7 pasajeros, o tours VIP con capacidad para 12 y 14 personas. Los conductores y guías profesionales cautivarán a los pasajeros con una gran cantidad de información sobre el Gran Cañón y el maravilloso Suroeste de los Estados Unidos.

London Eye At 450ft high, the London Eye is the world's highest observation wheel. 32 Capsules, each carrying 25 guests, take you on a 30 minute journey through the most spectacular views of, over and around London spanning 25 miles in all directions. Combine your experience with the London Eye River Cruise Experience, a 40-minute sightseeing circular cruise on the River Thames, passing the Houses of Parliament, Tower of London and St Paul's Cathedral. London Eye 4D Experience The London Eye 4D Experience is a groundbreaking 3D film with in theatre effects, such as wind, bubbles and mist, to make the 4D. The film itself is a touching story of a little girl in London with her father. Her view of famous London landmarks is obscured by people and traffic, but a seagull draws her attention to the London Eye and her father takes her for an experience; finally she has an amazing view of the city. Colourful parties inside the capsule, time lapse of the London Eye day and night and a spectacular firework display all add up to an emotional and entertaining experience; the perfect prelude to an experience on he London Eye itself. Tower Bridge Exhibition Tower Bridge Unveils New GLASS FLOOR Across High-Level Walkways Launched in the West Walkway today, the glass floor offers visitors a never-seen-before view of London life, from 42 metres above the River Thames. Look down to spy road and pedestrian life whizzing over the Bridge while river vessels sail under it – and plan your visit in advance for the truly magical experience of the bascules being raised beneath your feet.  The glass floor measures 11 metres long by 1.8 metres wide and comprises of six panels weighing 530 kilograms each. It is made up of five thick layers and can hold the equivalent weight of an elephant and two taxis! The installation took a 20-strong team to construct it over a six week period.  The Walkways also offer stunning panoramic views of London while each of the 20 bridges featured in our popular and refreshed 'New Great Bridges of the World' display showcase a breath-taking feat of engineering. After learning about the history of the Bridge through animations and displays in the Towers, continue to the Victorian Engine Rooms for the beautifully maintained steam engines that were once used to power the bridge lifts. Over 100 years ago, the Victorians built a bridge that has become one of London's most famous landmarks. High level walkways were built to allow people to cross the Thames whilst the Bridge was lifted to let tall ships sail past - Tower Bridge Today these Walkways act as viewing galleries, giving visitors the most spectacular views across an ever changing London skyline. Walkways & Exhibition: Visitors enter Tower Bridge Exhibition via the North Tower. They are then transported by lift to the top of the Tower (47 metres above the Thames) where they have a unique opportunity to see the Bridge’s steel skeleton from within. A short film explains the history and provenance of the Bridge and then there is the chance to admire the spectacular views – from both covered Walkways. On the east Walkway there are fantastic views of the Docklands and from the west Walkway you can see the new GLA building, the Tower of London, St Paul’s, the city, the Pool of London and Big Ben and the London Eye in the distance. Interactive computerised kiosks and graphic panels explain the significance of the views to visitors, as well as providing more information on the history and building of the Bridge. The interactive material and graphic panels are written in seven languages and an audio loop for the hard of hearing is also in place for the video show. There is another film to view in the South Tower before descending for the short walk to the historical Engine Rooms, included in your ticket price. Victorian Engine Rooms: These provide a fascinating insight into late 19th century engineering. Installed for the completion of Tower Bridge in 1894, these huge, and beautifully maintained, coal-driven engines were used to power the thousands of bascule Bridge lifts performed until 1976. Although lifts are now operated by electricity, the original steam engines are still in place. The Engine Rooms give visitors a chance to experiment with models demonstrating the technology behind the Bridge. There are also some amazing photographs of  Tower BridgeTthroughout its lifetime – including a revealing picture of the heavy steel structure of the Bridge as the stone cladding was installed over it.

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.