Magical Beatles Museum - Standard Ticket

¿Cómo utilizar la tarjeta de Bruselas?
La Tarjeta de Bruselas es válida durante 24, 48 o 72 horas a partir de cuándo se usa por primera vez en un museo
Debe usar su tarjeta de Bruselas por primera vez dentro de un año de su fecha de compra.
¿Cómo utilizar la tarjeta de Bruselas en el museo?
Durante el tiempo que la tarjeta es válida se puede visitar el mismo museo tantas veces como desee (sin costes adicionales)
Sólo tiene que presentar su Tarjeta de Bruselas en el mostrador de venta y será validado electrónicamente; esta se activará la primera vez que la utilice
La Tarjeta de Bruselas le da acceso libre a todas las colecciones permanentes de los museos. La mayoría de las exposiciones temporales también están incluidos, a excepción de los viejos maestros Museo, el Museo de Ciencias Naturales y el Museo del Cincuentenario, en las que paga el precio de la entrada normal si quiere visitar las exposiciones temporales.
¿Cómo funcionan los descuentos?
Los descuentos para las diversas atracciones, excursiones, tiendas, restaurantes y bares en esta guía son para un solo uso!
Los descuentos son válidos, incluso después de su Tarjeta de Bruselas ha expirado.
Para obtener el descuento, sólo tiene que presentar su tarjeta de Bruselas y entregar el comprobante correspondiente a encontrar en la parte posterior de la guía.
En el enlace encontrará todo lo que incluye la Tarjeta Turística de Bruselas

Explore what's inside Madame Tussauds Sydney?   History Zone Meet historical greats and discover interesting facts in our History zone. Leaders Zone The Leaders area provides the opportunity to meet and interact with some of the most influential spiritual and political leaders in recent history. Sports Zone Meet and interact with famous sporting heros in the Sport zone of Madame Tussauds Sydney.  Music Zone Hop on stage with your favourite rock and pop stars and show off your singing skills. Do you have what it takes to make it? Culture Zone Test your knowledge with Albert Einstein in the Culture zone of Madame Tussauds Sydney TV Zone Ever wanted to get up close and personal to your favourite TV stars? You can in the TV zone at Madame Tussauds Sydney. Film Zone In the Film zone of Madame Tussauds Sydney you can meet and interact with both Australian and International film stars. A-List Zone Discover glamorous and gorgeous A-Listers in our A-List zone at Madame Tussauds Sydney. 

At 135 metres, the London Eye is the world's tallest observation wheel, with 40 kilometre panoramic views on a clear day. The gradual journey takes approximately 30 minutes and offers spectacular views of London and its famous landmarks such as Big Ben, Buckingham Palace and St Paul's Cathedral. Now also included - London Eye 4D Experience!!! The London Eye 4D Experience is a groundbreaking 3D film with in theatre effects, such as wind, bubbles and mist, to make the 4D. The film itself is a touching story of a little girl in London with her father. Her view of famous London landmarks is obscured by people and traffic, but a seagull draws her attention to The London Eye and her father takes her for an experience; finally she has an amazing view of the city. Colourful parties inside the capsule, time lapse of The London Eye day and night and a spectacular firework display all add up to an emotional and entertaining experience; the perfect prelude to an experience on The London Eye itself. For a different perspective visit at sunset and see the city lights come on and the skyline awash with vibrant colours. Developed to further enhance your experience, the guide book offers a panoramic map of London, pointing out all the landmarks you will see on your journey. It includes interesting facts and figures about London and tells the story behind the concept, design and construction of London's newest and most talked-about landmark. The London Eye has 32 capsules, each carrying 25 guests, take you on a 30 minute journey through the most spectacular views of, over and around London spanning 25 miles in all directions. Safety and security is our number one priority. For your safety and convenience, please read the following information on what items can and can not be taken on to the London Eye. Please be aware that all guests are subject to a security search when boarding the London Eye. Please note that the following items CAN be taken on board the London Eye: · briefcases · laptops · small day size rucksacks and bags (maximum size 18" x 13" x 8" or 46cm x 33cm x 20cm) · baby bags The following items CAN NOT be taken on board the London Eye; · large bags/suitcases or rucksacks · motorcycle helmets · skateboards and rollerblades . tripods (unless agreed in advance with the London Eye) · baby buggies* · prohibited items** If you are unsure . * Baby buggies can be left at our 'Buggy' area facility in the ticket hall, although only for the duration of the experience. ** Prohibited items include sharp objects or anything which may be considered a security risk including penknives, scissors, metal nail files, toy or replica guns. If such objects are found or declared they will be checked in and returned to you after your experience providing the item is legal in the UK. Terms and conditions 1. Confiscated objects are left entirely at the owner's risk at all times. 2. London Eye Company (LEC) accepts no responsibility for the loss of or damage to any objects left with LEC. 3. LEC is entitled to refuse to store any visitor's objects at its sole discretion whether for public safety reasons or any other reason.

Sprachen: Die Audio Guide Beatles Story wurde von John Lennon's sister Julia zusammengestellt und eingesprochen. Es gibt ihn in auf brasilianisch, gnglisch, französisch, deutsch, itlienisch, japanisch, mandarin, polnisch, Rrussisch und spanisch. Rollstühle: Die Ausstellung ist barrierefrei. Wegen der Sicherheitsbestimmungen könnnen aber nur drei Rollstühle glichzeitig im Museum sein. Ein Stadard-Rollstühl ist verfügbar. Sie können ihn vorab telefonisch reservieren unter +44 (0) 151 709 1963. Zeichensprache: Falls Sie Erklärungen in Zeichensprache wünschen, rufen Sie vorher an:on +44 (0) 151 709 1963

Visits to the tour and museum usually last around two and a half hours, including 90 minutes for the tour and an hour for the museum. Highlights of the new Museum include: Fantastic New Cinema Within the walls of the new Wimbledon Lawn Tennis Museum is a remarkable cinema. The Cinema features a 200° screen that immerses the viewer into the world of The Championships by showing a film about the science of tennis. Filming took place during the 2005 Championships on Centre Court of Russia's Maria Sharapova against Spain's Nuria Llagostera Vives. Graham English Productions used a special panoramic rig that used 5 cameras at the same time, the result of which is a film that can be frozen and rotated around the field of action at any time. Using this technique, the film focuses on 20 different aspects of the match and showed viewers how players' bodies and equipment are affected during the course of a professional tennis match. McEnroe's Ghost Sighted at the New Museum Bringing together an old technique called 'Pepper's Ghost' with new projection and filming technology, the museum is able to create an exciting way to view a scene from Wimbledon's past. In a recreation of the 1980s Gentlemen's Dressing Room, a ghost-like image of John McEnroe appears and takes you through a tour of the normally off-limits area. McEnroe reminisces about his memories about the Dressing Room, including how he first met Jimmy Connors and how he would emotionally prepare himself for matches. The Whites of Wimbledon The fashions of Wimbledon continue to be a point of attention and significance to the story of tennis and the new Museum will house an extensive collection of Wimbledon attire. Everything from outfits worn in the 1880s to Rafeal Nadal's dri-fit 'pirate' trousers are on display. There is also an interactive exhibit where you can feel the weight difference between male and female clothing in 1884. Extraordinary New Technology Interactive touch screen consoles are evenly distributed throughout the Museum hallways. These information access points make up a part of the new and exiting technologies within the Museum. Other features are the 'Get a Grip' rotating wheel of rackets; 'The Reactor' game and an archive of great past Championship matches, all of which can be enjoyed by visitors of any age. Tour Visitors may also take a tour of the grounds, led by specially trained Blue Badge Guides, and gain access to restricted areas normally closed to the public. Included are : • No. 1 Court • The Water Gardens (Henman Hill) • The Millennium Building • The Press Interview Room • The BBC Television Studio (or Centre Court if building work permits) • Entrance to the Museum Tour times: Vary throughout the year.

Edge Zones Edge Zone 1 - 1945 - 1962 The Anglo-American special relationship of the Second World War triggered an evolution of musical trends in Britain.  Big band music became popular through visiting GIs and the revived sounds of Dixieland and New Orleans trad jazz were introduced into the London scene. The do-it-yourself creed of 1950s skiffle encouraged young musicians to pick up cheap guitars and start their own groups. British pop was transformed by the rock'n'roll craze in the mid 1950s. Edge Zone 2 - 1962 - 1966 In the 1960s, British music went global with the irresistible tide of the 'British Invasion'.  The original look and sound of beat groups like The Beatles, R&B bands like The Rolling Stones and female singers like Petula Clark took America by storm and Britain became known as a pop powehouse. Edge Zone 3 - 1966 - 1970 British pop became increasingly involved in cultural exchanges with underground political activity, fashion, art and drugs. Inspired by the 1967 'Summer of Love' in San Francisco, Britain began to stage their own 'love-ins' and 'happenings', with themes of peace and love becoming the inspiration for music in this period. The 12" album toook centre stage and pop evolved into rock as music broke out of the small clubs onto the arena circuit and emerging festival scene.  Edge Zone 4 - 1970 - 1975 In contrast to the tough social and economic crisis of 1970s Britain, the charts began to fill with performers singing of escapism, glamour and excitement.  A darker vision of 1970s Britain soon appeared through albums like the post-apocalyptic Diamond Dogs by David Bowie and progressive rock flourished. The music industry expanded and audiences sought entertainment, making sell-out arena tours the pinnacle for any successful artist.  Edge Zone 5 - 1975 - 1985 This was a period of economic recession in Britain. Pop music reflected this with tougher, more outspoken styles.  Punk dramatised Britain's social divisions, while the grassroots Rock Against Racism movement popularised reggae and brought a return to political involvement.  Edge Zone 6 - 1985 - 1993 The mid-to-late 1980s was a time of accelerated social, economic, technical and political change. Videos, CDs and satellite broadcasting meant that music was more accessible to the masses.  The late 1980s were also a time of regional and musical diversity. Heavy metal was reborn, imported house music reached ecstatic heights with the 'Second Summer of Love' and the 'Madchester' scene was blossoming in the North.  Edge Zone 7 - 1993 - 2004 In the mid-1990s, 'Cool Britannia' swept through all areas of British identity. Britpop revived the traditional pop values of the 60s and 70s.  The period also saw the rise of manufactured boy bands and The Spice Girls unleashed 'Girl Power' on the world. The rise of Youtube and streaming gave audiences new ways to access music. It presented artists with unchartered waters in the form of new channels emerging to promote their music.  Edge Zone 8 - 2004 - Present 2004 saw the launch of X Factor. The manufacturing of pop stars by UK audiences is balanced by the diversity of artists rising to the top of the charts. Rap and R&B stars, indie bands and singer-songwriters take the download chart by storm.  The Future It is impossible to predict the future of British music.  Who will be the next superstar? how will we listen to music in 2025? Whatever the future, one thing we can be sure of is that the intimate relationship between music and the fan will always continue to transcend any technological, cultural or social barriers. No photography is allowed in the the exhibition.