Gratis
Apoyo
The tour begins with a pick-up from your hotel. After a quick stop to pick up picnic supplies for lunch (price not included; pre-order options available) from a local organic deli and market, you’ll head north across the Golden Gate Bridge. You will be immediately rewarded with sweeping views of the San Francisco Bay: Alcatraz Island, the city skyline, and the vast expanse of the Pacific Ocean are just a few of the picturesque vistas from this remarkable bridge. Next, we’ll wind our way through the coastal mountains of the Marin Headlands and past Mt. Tamalpais (the highest point in the North Bay region), leaving the rush of the city behind and setting the pace for a relaxing day out in the country. Once in Sonoma County, dairy farms and vineyards provide an inspiring introduction to the rolling hills and beautiful valleys that have supplied the world with fantastic wines for over 60 years. Your professional guide will give you details about the region, wine, and the day's itinerary so that you can truly appreciate your experience. The first stop will be the Benziger Family Winery & Biodynamic Vineyard, where you will enjoy a close-up look at the vineyards, fermentation facility, and crush pad on a comfortable tram tour. You’ll also have a chance to walk through their barrel caves! The tour is approximately 45 minutes long, and includes a special tasting of Benziger's biodynamic and other award-winning wines. After your tasting, enjoy your picnic lunch (included: see menu for pre-order options) in a quiet spot at one of the local wineries, surrounded by views of the beautiful countryside and vineyards. In the afternoon, you will head over to famed Napa County for more wine tasting in Oakville, Yountville, or in the town of Napa. The landscape of rolling hills laced with rows of wine grapes is impressive and will provide a romantic backdrop for memorable photographs. On the return trip, you’ll make one more photo stop above the Golden Gate Bridge - a must-do if you've never witnessed the awe-inspiring view of San Francisco from the Marin Headlands! At the end of the tour you will return to your San Francisco accommodations (around 6pm). **note: To best suit the needs of our partner wineries and our guests, it is sometimes necessary to slightly alter the itinerary of the tour. In the wintertime there is less daylight and some tasting rooms may have shorter open-hours. Your group may also make a detour to Muir Woods National Monument. If this is not an original item in your itinerary, please be aware that your entrance fee will be covered and you are welcome to enjoy the cafe and have a delicious warm breakfast or a cup of coffee in lieu of exploring the woods. Highlights: Golden Gate Bridge Marin Headlands 45 min Benziger Winery Tram Tour Napa AND Sonoma Counties Lunch INCLUDED! Excellent wine varietals for all tastes and preferences Inclusions: Hotel pick-up and drop-off Narrated guided tour Benziger Winery Tram Tour ($20 retail value) Organic, local picnic lunch (choice of turkey, ham, roast beef, or vegetarian sandwich) Wine tasting at 4-5 unique wineries (some tasting fees may apply; proper ID required for tasting) Lunch Options: Turkey with whole wheat bread, mayo, mustard, tomato, lettuce, pickle, onion comes with: pasta salad, piece of fruit, & cookie or brownie Roast Beef with whole wheat bread, mayo, mustard, tomato, lettuce, pickle, onion comes with: potato salad, piece of fruit, & cookie or brownie Ham with whole wheat bread, mayo, mustard, tomato, lettuce, pickle, onio n comes with: potato salad, piece of fruit, & cookie or brownie Vegetarian with whole wheat bread, mayo, mustard, tomato, lettuce, pickle, onion, olives, sprouts, pepperoncini, cucumber comes with: coleslaw, piece of fruit, & cookie or brownie
Maximum per group is 27. Tours depart every 15- 20 minutes depending on the season.
The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.
The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading. The Queen’s Gallery was opened by Her Majesty The Queen on 29 November 2002, as part of the Golden Jubilee celebrations. It hosts a programme of changing exhibitions from the Royal Collection.
With more than 400 miles of bike lanes and traffic-free bike paths, you’ll love NYC by bike!
Stop when you want, get up close and delight in the freedom of pedaling through NYC’s diverse landscape. Experience car-free, fun, easy riding along the scenic Greenways in the city’s waterfront parks.
We’ll give you maps and locks so you can easily access all of NYC’s must-see sites as well as discover something new and exciting around every corner - all at your own pace.
Inclusions: Bike rental includes comfort hybrid bike, helmet, handlebar bag, lock, city map
Discover the romantic town of Paris in only 40 minutes !
The Little Train of Paris Montmartre offers a tour in the heart of Montmartre, with a return from la Place du Tertre. It also includes a full commentary with music.
This is a lovely way to go up Montmartre if you get on the train at Place Blanche and use it to go up to Place du Tertre. It is a steep way up to Montmartre and this is a great, and fun, alternative!
The Circuit:
Place Blanche
Place du Tertre
Place Constantin Pecqueur
Moulin Rouge
Espace Dali
La Halle et le Marché Saint-Pierre
Basilique du Sacré Coeur
Musée Montmartre
Anvers
Amphithéâtre / Arènes
Le Lapin Agile
Retour Place Blanche
Église Saint-Pierre
Cimetière Saint-Vincent
The Highlights:
Charming way to discover the famous district of Montmartre
Circuit of 14 stages to make your tour as detailed as possible
Please note that the ticket for the Paris Montmartre Little Train is valid from December 1st 2018 until 12/31/2019