Florida Dolphin Tour - City of Orlando Tour and One Pulse Foundation

NOTES Please note: a minimum of 6 people is required to operate the wine tour Wine tasting fees are included for 1 winery; 2 nd winery is at own cost (approx. $15 per person) Children are permitted on wine tasting tours, but you must be 21 or older to sample and drink wine Hotel pickup available for the Half Day Wine Tour in the Downtown (Union Square, Financial District, Nob Hill, Lombard Street, Embarcadero and SOMA) but need to be booked with reservation or at least 48hrs in advance via [email protected] Customers must reconfirm the tour with City Sightseeing by calling +1.415.440.8687 no later than 24 hours prior to departure of the reserved tour in order to receive exact pickup time and further details.

This tour involves a fair amount of walking. Comfortable shoes are recommended. Free tickets for disabled visitors and for accompanying persons may not be booked online. The free tickets are issued at the "Special Permits" desk or "Reception", situated in the entrance hall to the Vatican Museums. Entrance into the Vatican is subject to a strict dress code. Shoulders and knees must be covered. No low-cut or sleeveless tops or shorts will be not permitted for men and women. Clients that do not adhere to the dress code will not be permitted to enter the Vatican. The local tour provider cannot be held responsible for entry denied due to improper dress. Large handbags, haversacks etc. are not permitted inside the museum. Wardrobe services are available inside the Vatican Museums Certain sites or sections of sites included in the tour may occasionally be subject to last minute changes, for example unscheduled closures. In such cases the tour operator shall be pleased to offer an alternative tour. How to redeem your voucher: You can redeem your voucher on board of the Open Bus or City Sightseeing Visitor Centre before 15:00

Buckingham Palace serves as both the office and London residence of Her Majesty The Queen, as well as the administrative headquarters of the Royal Household. It is one of the few working royal palaces remaining in the world today. Today the Buckingham Palace State Rooms are used extensively by Her Majesty The Queen and Members of the Royal Family to receive and entertain their guests on State, ceremonial and official occasions. During August and September when The Queen makes her annual visit to Scotland, the Palace's nineteen state rooms are open to visitors. What there is to see? The Buckingham Palace State Rooms form the heart of the working palace and are lavishly furnished with some of the greatest treasures from the Royal Collection - paintings by Rembrandt, Rubens, Poussin and Canaletto; sculpture by Canova; exquisite examples of Sèvres porcelain; and some of the finest English and French furniture. In celebration of The Queen's 90th birthday, a special exhibition will be staged across each of Her Majesty's official residences during 2016. Fashioning a Reign: 90 Years of Style from The Queen's Wardrobe (23 July – 2 October 2016) The Garden Described as a 'walled oasis in the middle of London', the Palace's garden is home to thirty different species of bird and more than 350 different wild flowers, some extremely rare. Visitors end their tour with a walk along the south side of the garden, with splendid views of the west front of the Palace and the famous lake. Audio Guide An audio guide is included in the ticket price and is available in English, French, German, Spanish, Italian, and Japanese, Russian and Mandarin. There is also a family audio guide (in English only) and accompanying activity trail, suitable for children 7-11 years. Changing of the Guard The Changing of the Guard ceremony takes place at 11:30 daily from April until the end of July and on alternate days for the rest of the year, weather permitting. The new guards arrive at the forecourt of the Palace at 11:30 from Wellington Barracks. The journey takes about 5 minutes and the soldiers are accompanied by a band. The ceremony is conducted on the Palace forecourt and takes approximately forty minutes to complete. [The Army have not yet released the schedule for July, August or September.] Wheelchair Access If you require wheelchair access or the use of the lift, you should not book with 365 Tickets.com and should pre-book tickets directly with Buckingham Palace. Access booking line: 020 7766 7324 www.royalcollection.org.uk or email [email protected] Windsor Castle, the largest and oldest occupied castle in the world, is one of the official residences of Her Majesty The Queen. The Castle's dramatic site encapsulates 900 years of British history. It covers an area of 26 acres and contains, as well as a royal palace, a magnificent chapel and the homes and workplaces of a large number of people. Kew Gardens Kew Gardens, is a World Heritage Site located in 121 hectares of stunning vistas with six magnificent glasshouses set in a beautiful landscape beside the River Thames between Richmond and KEW in south-west London. Kew Gardens represents more than 250 years of historical gardens. It is home to a remarkable collection of over 30,000 types of plants from all over the world that range from the decorative to the peculiar. Kew Gardens provide opportunities for public enjoyment and enrichment and the behind-the-scenes scientific work helps ensure a sustainable future for plants and people. In the summer of 2004, Kew's determination to make serious botany great fun for children was demonstrated with the opening of 'Climbers and Creepers'. Bringing a new use to an old cycad house by White Peaks, Climbers and Creepers engages children from around 3-9 years in the pleasures of learning more about plants and their relationships with animals and people. Apart from the sheer beauty and tranquillity of the garden's landscapes Kew offers a wonderful day out for all, whether horticulturally, historically or botanically inclined. Botanical Highlights The dates below are approximate, and flowering can vary by three to four weeks, depending on the weather. Image Credits: Image 1:  Photographer: Derry Moore, Royal Collection Trust / © Her Majesty Queen Elizabeth II 2013 Image 2 : Photographer: Peter Smith, Royal Collection Trust / © Her Majesty Queen Elizabeth II 2013 Image 3 : Photographer: Andrew Holt, Royal Collection Trust / © Her Majesty Queen Elizabeth II 2013 Image 4: Photographer: Derry Moore, Royal Collection Trust / © Her Majesty Queen Elizabeth II 2013

We invite you to visit the Casa Batlló which has transcended the concept of a building to become a legendary icon of art, architecture and art nouveau. Here, light, colour and shapes interact with wood, glass, ceramics and quarried stone in Gaudí's characteristic fantastic and breathtaking style. Pick up your audioguide and begin your tour of 20 different points. You'll discover a whole host of details that are hard to spot at first glance, with metaphors and depictions of nature, particularly the undersea world, which will inspire and stimulate your senses and emotions. And if you prefer, you can hire the innovative augmented reality video guide which will take you to a magical world that is normally hidden from view. Both guides are available in 10 languages.  You'll visit the legendary mezzanine, where the Batlló family once lived; the attic, where the storerooms and laundries were located; the rooftop, with its iconic chimneys and the amazing light well which houses the staircase once used by the privileged neighbours. And you can't leave without seeing the magnificent hall and main staircase. You're sure to be impressed!

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.  

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