Gratis
Apoyo
There’s a lot in life to celebrate. So welcome aboard! Whatever the occasion, you’ll enjoy gentle bay breezes, glittering waves, and the dramatic San Francisco skyline. Whether it’s your birthday, anniversary, or you finally found a great babysitter, join us for gracious hospitality and stunning views. Set against twinkling city lights and legendary vistas, experience includes an elegant four-course dinner, live music and dancing around the San Francisco Bay. DINNER MENU FIRST COURSE California Hornblower Wedge Salad maytag blue cheese dressing, smoked bacon, chopped eggs, tomatoes, scallions SECOND COURSE Fisherman’s Wharf Clam Chowder potatoes, celery, onions, fresh thyme, smoked bacon APPETIZER ENHANCEMENTS Charcuterie Plate - $18.00 chef’s selection of cured meat, house made terrine, flat bread crisps, cornichons, whole grain mustard Cowgirl Creamery Cheese Display - $16.00 assorted local cheeses, rustic flat breads, dried apricots, figs Seared Ahi Tuna - $18.00 wasabi aioli, wakame seaweed salad, crispy wonton chips ENTRÉE OPTIONS Grilled Salmon Filet soy ginger glaze, barley risotto roasted vegetables Mary’s Organic Pan Roasted Breast of Chicken roasted red bell pepper coulis, cannellini bean ragout bloomfield spinach Porcini Crusted Petit Filet Mignon porcini sauce, parmesan truffle mashed potatoes watsonville late harvest vegetables Balsamic Infused Portobello Mushroom asiago parmesan polenta cake grilled vegetables DESSERT OPTIONS Fresh Fruit Tart shortbread tart shell, vanilla pastry cream, apricot glaze Chocolate Truffle Cake raspberry sauce, fresh berries Chef de Cuisine Willie Fuentes Due to the seasonality of local fresh ingredients, all menus are subject to change.
Dublin's Hop up Hop off Tour stops include: Abbey Street - Lower O'Connell St Trinity College Dublin - College Green Nassau Street - Nassau Street National Gallery. - Merrion Square West Government Buildings - Merrion Sq West St. Stephen's Green - Grafton Street. Tourism Centre - Suffolk Street Temple Bar - Dame Street. Dublin Castle - Cork Hill Christchurch / Dublinia - Christ Church Place. St Patrick's Cathedral - Patrick Street. Guinness Storehouse - St James's Gate Museum of Modern Art - Royal Hospital Kilmainham. Kilmainham Gaol - Old Kilmainham Heuston Rail Station - St. John's Road Dublin Zoo - Phoenix Park Ryan's Victorian Bar - Parkgate Street National Museum - Collin's Barracks Jameson Distillery, Bow St. - Smithfield - Hop off here! The Four Courts - Ormond Quay Liffey River Cruise - Bachelors Walk Dublin Bus HQ Upper O'Connell Writers Museum Parnell Square North Tours operate daily from 09:00. You can redeem your ticket with the tour driver on any of the buses, or, alternatively, go to Dublin Bus Head Office, 59 Upper O'Connell Street.
List of included attractions Bar Convent Barley Hall Cliffords Tower DIG Fairfax House Goddards Henry VII Experience Jorvik Merchant Adventurers' Hall National RM Road Train Richard III Roman Bath Treasurers House York Army Museum York Art Gallery York Boat York Brewery York Castle Museum York City Sightseeing York Cold War Bunker York Dungeon York Minster York's Chocolate Story Yorkshire Museum Beningbrough Hall Birds of Prey Centre Byland Abbey Captain Cook Castle Howard Eden Camp Helmsley Castle Helmsley Walled Garden Maze Murton Park North Yorkshire Moors Railws Reivaulx Abbey Scampston Walled garden
ACTIVATING THE NEW YORK PASS The smart card records when and where you first use your Pass, as well as how long the Pass will remain valid. This means your Pass is activated the moment that you first use it at an attraction or service. Your New York Pass is then valid for the number of days that you've purchased - be it 1, 2, 3, 5, 7 or 10 days. It is important to note that a ‘day’ is based on a calendar day, not a 24 hour period. VALIDITY OF THE NEW YORK PASS The New York Pass is valid for use on consecutive days only. You can visit each attraction just once with the New York Pass. At the end of your validity period, the pass will expire and will no longer allow access to attractions. If, for example, you used a three day pass for the first time on Monday, your pass will cease working at the end of Wednesday, regardless of how often you have used it in between. SKIPPING THE LINES As well as free entry, the New York Pass allows you to skip long lines at some of the busiest tourist attractions. Simply look for the New York Pass signs and show the attendant your New York Pass - they will swipe your card through the New York Pass machine and you will be allowed entrance - more >> BOOKING TOURS IN ADVANCE The most popular tours often sell out in advance, but once you purchased your New York Pass online, you can secure your place with your online confirmation number. There are 17 Tours you can book in advance with New York Pass FREE GUIDEBOOK Every Adult Pass comes with a 200 page pocket guidebook, which details all attractions and special offers available for Pass holders. If you choose the delivery option it will be delivered with your Passes. Customers collecting their Passes will also receive their free guidebooks at the collection point. It’s possible to download a guidebook pdf here >> THE NEW YORK PASS APP This free app is the perfect travel guide for your trip to New York City. With complete information and photographs of over 80 NYC attractions, as well as practical tips to make the best of your visit, this app will leave you more time to experience all that New York City has to offer. MONEY BACK GUARANTEE Zero risk buying ahead - New York Passes can be purchased up to 12 months before your trip. In case your travel plans change, New York Pass insurance gives you peace of mind offering full refund on non-used Passes. No questions asked.
The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading. The Queen’s Gallery was opened by Her Majesty The Queen on 29 November 2002, as part of the Golden Jubilee celebrations. It hosts a programme of changing exhibitions from the Royal Collection.
Diana: Her Fashion Story ‘Diana: Her Fashion Story’ will trace the evolution of the Princess’s style, from the demure, romantic outfits of her first public appearances, to the glamour, elegance and confidence of her later life. From her earliest royal engagements, everything Diana wore was closely scrutinised, and the exhibition will explore how she navigated her unique position in the public eye: learning to use her image to engage and inspire people, and to champion the causes she cared about. Discover exquisite and celebrated outfits from throughout the Princess’s public life. The exhibition will bring together an extraordinary collection of garments, ranging from the glamorous evening gowns worn on engagements in the 1980s, to the chic Catherine Walker suits that made up Diana’s ‘working wardrobe’ in the 1990s. The Princess’s relationship with her favourite designers will be explored through a display of some of their original fashion sketches, created for her during the design process. Exhibition highlights will include the pale pink Emanuel blouse worn for Diana’s engagement portrait by Lord Snowdon in 1981, and Victor Edelstein’s iconic ink blue velvet gown, famously worn at the White House when the Princess danced with John Travolta. A blue tartan Emanuel suit, worn for an official visit to Venice in the 1980s, will go on display in public for the first time. The suit, a rare survival of the Princess’s daywear, was only recently rediscovered and acquired by Historic Royal Palaces – the charity responsible for Kensington Palace - at auction. * Please note, this exhibit is due to be very popular, queues are to be expected. The King's State Apartments Explore these sumptuous set of rooms, each grander than the last. Grand chambers of the State Apartments The King's Staircase is the first link to the circuit of rooms making up the King's State Apartments. All the great and good of Georgian London would have climbed up these stairs to visit the king. The Sunken Garden The beautiful Sunken Garden was planted in 1908, transforming part of the gardens previously occupied by potting sheds into a tranquil ornamental garden of classical proportions. Cradle Walk An arched arbour of red-twigged lime, the walk surrounds the sunken garden with arched viewpoints equally spaced along the sides. In the summer this shady tunnel provides the perfect place to view the bright colours in the Sunken Garden to the north or the re-landscaped gardens to the south. Formal gardens Kensington Gardens began life as a King's playground; for over 100 years, the gardens were part of Hyde Park and hosted Henry VIII's huge deer chase. When William and Mary established the palace in 1689, they began to create a separate park. Mary commissioned a palace garden of formal flower beds and box hedges. This style was Dutch and designed to make William, who came from Holland, feel at home. The Queen's State Apartments Explore these intimate, private rooms created for Queen Mary II, who ruled jointly with her husband, King William III, in the 17th century. The Queen’s rooms The Queen's Staircase, little changed since its construction in 1690, is deliberately plainer than the King's. Mary would have glided down its steps to reach her beloved gardens, created in the Dutch style, through the door at its foot.
