Gratis
Apoyo
The rocks of Montserrat were formed by natural cement of sand during the centuries. The wind and rain shaped the mountain with strange and varied forms. The popular imagination has seen human or animal shape in some of these peaks, giving those names and inventing legends to explain their fantastic origins. This trip to Montserrat will give you the opportunity to enjoy the wonderful and breath-taking views of the Montserrat Mountain, one of nature’s special creations. You will visit the Royal Basilica of Montserrat, which holds the famous 12th century Romanesque carving of Verge Moreneta (the Black Madonna). You will be able to see this famous statue of the Black Madonna from a distance. The Benedict sanctuary of Montserrat has been founded in 1025 and provides a mystical backdrop for the Virgin of Montserrat, the patron saint of Catalonia who is enshrined in the monastery's Royal Basilica. The little monastery soon began to receive pilgrims and visitors who contributed to the spread of stories of miracles and wonders performed by the Virgin. Today, Montserrat has been modernized to continue attending to the needs to pilgrims, one thousand years after it was originally founded. You will be given some free time to visit the audio visual exhibition about the history and creation of Montserrat. And taste typical liquors of Montserrat. The Escolania of Montserrat is one of the oldest boys choirs in Europe (XIV Century). On some days the children's choir sings in the monastery and so you may be fortunate enough to catch one of their delightful performances. Their timeframe is subjected to the school calendar and special events of the choir and monastery.
The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church. A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.) The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw. The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery. The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.
This is the text for the Frequently Asked Questions that applies to this specific to QUESTION: IS THERE AN AGE OR WEIGHT LIMIT? For your riding safety, guests must be at least 12 years of age and weigh at least 100 pounds and not in excess of 260 pounds. All participants must be at least 12 years of age. QUESTION: HOW BIG WILL MY GROUP BE? Our tours operate in groups of 8 guests or less. QUESTION: WHAT TIME DO I NEED TO GET THERE FOR MY TOUR? We ask that the client arrive 10-15 minutes early for the scheduled tour to fill out necessary paperwork. Each member of your party will be required to complete and sign a liability waiver form. QUESTION: WILL I NEED TO PUT DOWN A DEPOSIT? Yes. Insurance requires that City Segway Tours pre-authorize 400€ on a credit card. Please bring your MasterCard, Visa, Amex, or cash with you for this deposit (not Discovery). Your card will not be charged, but we will hold onto the details should your Segway incur any damage while in your possession. QUESTION: IF THIS IS MY FIRST TIME TO RIDE A SEGWAY, WILL I BE ABLE TO PICK IT UP QUICKLY? Your safety is always our highest priority. Therefore, we begin each tour with a very thorough orientation of the Segway and its use before going out to enjoy the city! QUESTION: CAN MINORS COME ON TOUR ALONE? For safety reasons, minors (anyone under the age of 18) must be accompanied by an adult on the tour. QUESTION: IF I AM PREGNANT CAN I JOIN THE TOUR? Unfortunately, due to the risk to both child and mother, pregnant women are not allowed to participate on our Segway tours. QUESTION: ARE THE TOURS CANCELLED IF IT RAINS? Our tours go rain or shine, and we have rain ponchos available in our office for €1 which are fully reimbursed if not used.
Bletchley Park, now a vibrant heritage attraction is the former top-secret home of the British and Allied Forces World War Two Codebreakers. Learn about the work of these men and women who it is estimated helped shorten the war by a full two years. Ticket Includes: Entry to Bletchley Park - instant ticket delivery, simply print and go Codebreaking huts - where Enigma messages were decrypted interactive activities & projected images World War I & 2 exhibitions interactive, modern Cyber Security exhibition historic buildings & mansion adult & family-friendly multimedia tours access to the beautiful grounds outdoor walking tours with a knowledgeable live guide National Radio Centre exhibition some temporary, seasonal exhibitions & performances Just a 40-minute drive from Bletchley Park, why not also visit the UK's largest Zoo, ZSL Whipsnade Zoo and use 365Tickets exclusive money-saving combo? With this deal the attractions can also be visited on separate days if preferred.
NOTE: Children of 13 years or younger must be accompanied by an Adult in order to climb the Monument. Please note that in order to preserve the Monument’s original structure, visitors with large bags are requested to leave these at the base of the staircase.
