Batobus Paris - 2 Day Pass

Highlights of your day will include: Hollywood
       Hollywood Boulevard (TCL Chinese Theatre, Hollywood Walk of Fame, Dolby Theater) (*Approximately 30 minutes)
       The Hollywood Sign
       The Hollywood Bowl
       Miracle Mile
       La Brea Tar Pits
       L.A. County Museum of Art (LACMA)
       Melrose Avenue
       Farmers Market/The Grove (*Approximately 1 hour)
       Paramount Studios
       CBS Television
Beverly Hills
       Rodeo Drive (*Approximately 15 minutes)
       City Hall
West Hollywood
       Sunset Strip
Downtown L.A.
       Olvera Street (*Approximately 15 minutes)
       Chinatown
       Staples Center
       Walt Disney Concert Hall
       Microsoft Theater
       Cathedral of Our Lady *Times and locations may vary depending on events or traffic conditions

A 450 metros de altura, el London Eye es la noria panorámica más alta del mundo. 32 Cápsulas, cada una de ellas con 25 huéspedes, le llevará a un viaje de 30 minutos a través de las vistas más espectaculares de Londres y sus alrededores de 25 millas en todas las direcciones. Experiencia 4D London Eye El London Eye 4D es una innovadora película en 3D con efectos como viento, burbujas y niebla. La película cuenta la conmovedora historia de una niña en Londres con su padre.  Por favor, recuerde que el abordaje para el London Eye es de 30 minutos por lo que tendrá que llegar al menos 30 minutos antes de su hora reservada. Por favor, tenga en cuenta esto cuando elija su horario. Cuando llegue se le asignará la siguiente vacante disponible. En caso de que no hubiera disponibilidad para el resto del día en el London Eye, sus entradas serán válidas el día siguiente. Le recomendamos que contacte con London Eye por avanzado para comprobar la disponibilidad. Las tardes son el momento de más ocupación del London Eye, por lo que le recomendamos que haga su visita por la mañana. Los niños no acompañados no son permitidos a bordo del London Eye.  Tenga en cuenta que los siguientes elementos se pueden subir a bordo del London Eye: • maletines • portátiles • mochilas y bolsas (tamaño máximo 18" x 13" x 8" o 46cm x 33cm x 20cm)​ los siguientes elementos no se pueden acceder al London Eye: • grandes bolsas/maletas o mochilas • motocicleta • patinetas y patines • trípodes Términos y condiciones 1. Objetos confiscados se deja el riesgo corresponde al propietario en todo momento. 2. London Eye Company (LEC) no se responsabiliza de la pérdida o daño de los objetos de LEC. 3. LEC tiene derecho a negarse a cualquier visitante de almacenar objetos en su discreción, por razones de seguridad pública

VALENTINE'S DAY MENU Foie gras & Champagne gelee, toasted brioche *** Bass filet, fennel & mushrooms tulip, delicate ginger sauce OR Grilled duck breast, cranberry and honey sauce, baby seasonal vegetables *** «Paradis Latin» dessert, chocolate mist, citrus & red berries *** 1⁄2 Bottle of Bordeaux wine  Champagne at your will Mineral water

This guided tour will explain every detail about the history of Barcelona from Roman times to the medieval period while you walk through the Gothic Quarter, which has a charm all of its own with its narrow, cobbled streets, wrought-iron street lamps and buildings that comprise hidden corners you can lose yourself in. The walk begins in the plaça Sant Jaume, the seat of the local government during the Middle Ages and at the present time. Next, you'll explore the narrow streets leading to the Barcelona Cathedral, built in different artistic styles, next to the important surviving sections of the Roman walls. To end the tour, close to the Cathedral, the plaça del Rei, a unique site and the historic centre of power during the reign of the Catalan counts and monarchs. Beneath the square lie the remains of the Roman city of Barcino and the remains of the medieval city (Saló del Tinell, Capella de Santa Àgata or Mirador del Rei Martí), above it.  A route that will make you feel you have travelled back in time when you get home.               

Downtown Tour - Admission to One World Observatory There are a million things to experience in New York City, but only one way to truly see them all. Start by ascending to the top of the tallest building in the Western Hemisphere in less than sixty seconds, then look toward the horizon and feel the city’s invincible spirit. Take in the iconic sights, surrounding waters and panoramic views of the skyline and beyond. Explore three levels filled with innovation and inspiration. Immerse yourself in the bustling crossroads of the world at the See Forever Theater. Engage with City Pulse and our global ambassadors as they share stories of this amazing city. Step onto the expansive Sky Portal and take a walk high above the streets of New York. Start with an experience unlike any other. Start at One. One World Observatory. SEE FOREVER™.  Package Highlights • Innovative & interactive experience at new One World Observatory attraction • Unforgettable views from the tallest building in the Western hemisphere • Bus tour features unlimited hop-on, hop-off access at 21 convenient locations • See NYC icons: Times Square, the Statue of Liberty, the Empire State Building and more!   Tours Now Offered in 11 Languages! Now, Gray Line CitySightseeing NY is giving you even more flexibility in enjoying their tours by offering multilingual audio tracks in 11 different languages on all of the popular hop on/hop off bus tours. You can experience the journey in English, French, German, Spanish, Italian, Portuguese, Japanese, Korean, Mandarin, Russian and Hebrew. Hop on Hop off double-decker tickets valid for 24 hours from the time you arrive in NYC and exchange your confirmation voucher for a boarding ticket. 

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading. The Queen’s Gallery was opened by Her Majesty The Queen on 29 November 2002, as part of the Golden Jubilee celebrations. It hosts a programme of changing exhibitions from the Royal Collection.