LEGOLAND® - Length of Stay Water Park Combo Pass (2 Visits)

The Queen's Gallery was built in the shell of the former Holyrood Free Church and Duchess of Gordon’s School at the entrance to the Palace of Holyroodhouse. The buildings were constructed in the 1840s with funds from the Duchess of Gordon, but fell into disuse in the late 19th century. Benjamin Tindall Architects were appointed project architects for the new Queen’s Gallery in October 1999. Their central visual theme was a celebration of The Queen’s Golden Jubilee, expressed through a series of arches and screens that lead visitors from the Gallery entrance to the exhibition spaces beyond. Their design complements the original 19th-century architecture, elements of which were incorporated into the new spaces. Unsympathetic later internal alterations were removed, and a new exposed steel and concrete floor inserted to reflect the original ‘gallery’ of the Church.   A new stone arched entrance was created at the centre of the Horse Wynd frontage, opposite the new Scottish Parliament building. The use of a stone archway, with a courtyard beyond, is a traditional entrance device in Scottish architecture. The main walling is of Catcastle stone, the dressed work and lettering is of Stainton stone and the base is of Kenmay granite. ‘THE QUEEN’S GALLERY’ lettering above the entrance is the work of John Neilson, a calligrapher and carver. The letters were cut from single pieces of stone. Above sits Scotland’s heraldic lion, designed by Jill Watson. The lion sedant is based on a small red lion that sits at the feet of Mary, Queen of Scots on her tomb in Westminster Abbey. (The Palace of Holyroodhouse was once home to Mary, Queen of Scots.)   The monumental entrance doors of oak have gilded bronze hinges by Jill Watson. Continuing the heraldic theme, the main hinges are decorated with the Scottish lion and unicorn. The beasts are set against the adjacent urban scene of Edinburgh’s Royal Mile and the rural scene of Arthur’s Seat and Salisbury Crags. The upper hinges are made as golden boughs of flowering native trees – chestnut and laburnum, oak, rowan and hawthorn. The stone archway is decorated with a carved and gilded garland of Scottish flowers, including daisies and thistles, created by Graciela Ainsworth, an Edinburgh-based sculptor, carver and conservator. Over the old entrance to the former church is a stained-glass window by Christian Shaw.  The design shows a perspective drawing of the interior of a gallery. At night, the shape of the archway is reflected by the glass lights by Keiko Mukaide set into the paving. The artist has given the tiles a water flow pattern, mirroring the stream of visitors walking in and out of the Gallery. Inside, the reception desk by Hamid van Koten is made from curved pieces of Scottish elm with kilned glass and patinated copper. The pendant lights were designed and made in Edinburgh by Ingrid Phillips. Dividing the reception from the main Gallery area is a patterned glass screen by Jacqueline Poncelet. The screen’s bronze handles by Jill Watson incorporate figures looking at art in a gallery.   The dramatic central stair of native timber leads to the Gallery spaces above. The complex shape was designed by the architects with Charles Taylor Woodwork, who were responsible for the construction. Lights set into the first floor illuminate the curved balustrading.  

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For the past 30 years Gary McCambridge has been entertaining his audience with an entertaining combination of magic comedy and intense mind reading.

Please note :  Those with reduced mobility should note that the climb up to the abbey can be taxing Comfortable shoes and warm clothing are advised in Winter The langues suggested are just the ones available for the information booklet given to you upon the departure of the tour  From April 1rst, audioguides available in: french, english, spanish, italian, portuguese, japenese, chinese, korean On-site visit duration: 4h30 Information :  Warm coat is recommended during winter period, raincoat during summer.  Clients with walking difficulties will not be able to reach the Abbey  (many steps).  An excellent range of crêperie restaurants and shops available after the visit to the abbey. Languages :  Chinese English French  Italian Japanese  Korean  Portuguese Spanish

Werther loves with thrilling intensity. But passion blooms into a dangerous obsession when the young poet discovers his love can never be realised. Goethe’s powerful novel, The Sorrows of Young Werther, moved the world upon its release in 1774. Young men cried their anguish into tiny glass vials and carried around their tears to prove the depth of their emotions. They wore the poet’s signature clothes, and a few lovelorn souls even followed his path, seeking death over a life without love. In the ultimate Romantic opera, Massenet’s rich score magnifies the drama and emotion of the story. Werther falls hopelessly in love with Charlotte in lyrical, melodious phrases. As Charlotte chooses duty over heart, Werther’s turmoil is palpable in restless music that bursts out of an enormous orchestra. The French composer’s ability to evoke mood and moment in music is on brilliant display. Any tenor that can master the psychological range and musical difficulty of Werther is guaranteed a new signature role. Young star, Michael Fabiano, is renowned for his intense, character-driven performances. Hear his role debut as the troubled poet, with acclaimed mezzo-soprano Elena Maximova as Charlotte and Carlo Montanaro as conductor.

How to Use the Brussels Card? Your Brussels Card is valid for 24, 48 or 72 hours from when it's first used in a museum You must use your Brussels Card for the first time within a year of its purchase date. How to Use the Brussels Card at the Museum? For as long as your card is valid, you can visit the same museum as many times as you like. You won’t have to pay anything. Simply present your Brussels Card at the ticket desk and it will be electronically validated. Your Brussels Card will be automatically activated the first time you use it. The Brussels Card gives you free access to all permanent collections of the museums. Most of the temporary exhibitions are also included, except for the Old Masters Museum, the Natural Sciences Museum and the Cinquantenaire Museum where you pay the normal entrance fee if you want to visit the temporary exhibitions. How do Discounts work? The discounts for the various attractions, tours, shops, restaurants and bars provided in this guide are for single use only! The discounts remain valid, even after your Brussels Card has expired. To obtain your discount, simply present your Brussels Card and hand over the corresponding voucher you find at the back of the guide. Free Entry to 40 Museums * Participating Museums are updated every February Art et Marges Musée - Museum Autoworld Belgian Brewers museum Belgian Chocolate Village BELvue museum Villa Empain - Boghossian Foundation Botanique Centre for Fine Arts - BOZAR Choco Story Art & History Museum Museum of the City of Brussels Charlier Museum Museum of Fashion & Lace (Museums of the City of Brussels) Erasmus House Musée Fin-de-Siècle Museum Freemasonry museum Halle Gate – RMAH MIM - Musical Instruments Museum (MRAH) La Fonderie - Brussels museum of work and industry The René Magritte House Museum Magritte Museum (Royal museums of Fine Arts) Musée de la Médecine (ULB) Royal Museum of Army and Military History MIMA the Millennium Iconoclast Museum of Art Museum MOOF - Museum Of Original Figurines CENTRALE for contemporary art Planetarium of Brussels Natural Sciences Museum Autrique House Sewers museum Musée Oldmasters Museum experience.brussels Wiels - Contemporary Art Centre The Belgian Comic Strip Center Coudenberg Palace Jardin botanique Meise Jews in Belgium museum Train World Kanal - Centre Pompidou